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ABSTRACT
This article is a theoretical discussion of the concept ‘intercultural film’. The aim is to establish a framework for sound interdisciplinary analysis of film from an intercultural perspective. Previous research from film studies and intercultural studies/intercultural communication studies is discussed with the aim to clarify how the concept intercultural film has previously been used, and a method for intercultural film analysis is proposed. The conclusion is that a multifaceted framework for film analysis has to be developed that take content, style and form, viewer position and the creation of new concepts of interculturality into consideration.
Disclosure statement
No potential conflict of interest was reported by the authors.
Notes on contributor
Andreas Jacobsson is senior lecturer in intercultural studies. His research interests are World cinema, Latin American cinema, African cinema, death in world cinema, intercultural film, intercultural epistemology and internationalisation of higher education.
ORCID
Andreas Jacobsson http://orcid.org/0000-0003-1167-3174