Rev. of Transnational Perspectives on Artists’ Lives

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Notes

1 Rensen and Wiley, Transnational Perspectives on Artists’ Lives, 5.

2 Rensen and Wiley, Transnational Perspectives on Artists’ Lives, 4.

3 Rensen and Wiley, Transnational Perspectives on Artists’ Lives, 11.

4 Rensen and Wiley, Transnational Perspectives on Artists’ Lives, 21.

5 Ali Smith, How to Be Both.

6 Rensen and Wiley, Transnational Perspectives on Artists’ Lives, 2.

7 Rensen and Wiley, Transnational Perspectives on Artists’ Lives,12.

8 Rensen and Wiley, Transnational Perspectives on Artists’ Lives, 12.

9 Rensen and Wiley, Transnational Perspectives on Artists’ Lives, 7.

10 Rensen and Wiley, Transnational Perspectives on Artists’ Lives, 6.

11 Rensen and Wiley, Transnational Perspectives on Artists’ Lives, 10.

12 Rensen and Wiley, Transnational Perspectives on Artists’ Lives, 13.

13 Rensen and Wiley, Transnational Perspectives on Artists’ Lives, 15.

14 Rensen and Wiley, Transnational Perspectives on Artists’ Lives, 140.

Additional information

Notes on contributors

Beth Kearney

Beth Kearney is a PhD Candidate at the University of Queensland (UQ), where she is writing a thesis on the role of photography in contemporary women’s life writing in French. More broadly, her research specialises in 20^th and 21^st century women’s literatures and visual cultures across the French-speaking world, with a focus on representations of women’s bodies and subjectivities and on the interactions between literature and visual art. Additionally, she has a strong interest in surrealism and modernity in France from the late 19^th to the early 20^th centuries. She also teaches French language, literature, and culture to university students.