‘Falling leaves return to their roots’? The reception of Chinese blockbusters by Chinese university students in New Zealand

ABSTRACT

This article examines the extent to which the films Wolf Warrior 2 (战狼2) (Wu 2017) and The Wandering Earth (流浪地球) (Guo 2019) might help to cultivate pride in the dream of a revitalised China among Chinese university students in New Zealand. A combination of state oversight, private capital and market forces have led to the People’s Republic of China’s (PRC) increased production of blockbuster films that promote the ‘Chinese Dream’. These films receive regular theatrical release within New Zealand but our understanding of how PRC university students in New Zealand respond to these films remains limited. Understanding this response is vital given the state’s view of these students as ‘civil ambassadors’ and ‘a diaspora in the making’. Using focus group data, the article shows how the reception of these films is complicated by the pluralised context of these films’ production and consumption, with the engagement of some participants pivoting upon issues of genre more than ethno-national identification. Nevertheless, for some of the participants these films do help to affirm their identities as Chinese and generate pride in a rejuvenated China via the complex ways in which these films connect to their lives.

KEYWORDS:

• Chinese cinema
• New Zealand Chinese film audiences
• diasporic film audiences
• Chinese dream
• Chinese diaspora

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No potential conflict of interest was reported by the author(s).

Additional information

Notes on contributors

Ian Huffer

Dr. Ian Huffer is a Senior Lecturer in the School of Humanities, Media and Creative Communication at Massey University, New Zealand. His research focuses upon the social, cultural and economic relations constituted through the circulation and consumption of film. Recent work has examined the circulation of Chinese film in New Zealand, and the relationship between online film distribution, film audiences, and social/cultural distinction.

Yuan Gong

Dr. Yuan Gong is a Lecturer in the School of Humanities, Media and Creative Communication at Massey University, New Zealand. Her research areas include consumption of popular culture, global and transcultural fandom, and digital media. Her recent works focus on fans’ subject and class formations through the engagement with cross-cultural media in reforming China.