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Original Articles

An evaluation of musician earplugs with college music students

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Pages 661-670 | Received 26 Feb 2009, Published online: 09 Sep 2009

Keep up to date with the latest research on this topic with citation updates for this article.

Read on this site (5)

Kathryn Crawford, Krista Willenbring, Faryle Nothwehr, Stephanie Fleckenstein & T. Renee Anthony. (2023) Evaluation of hearing protection device effectiveness for musicians. International Journal of Audiology 62:3, pages 238-244.
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Samuel Couth, Michael T. Loughran, Christopher J. Plack, David R. Moore, Kevin J. Munro, Jane Ginsborg, Piers Dawes & Christopher J. Armitage. (2022) Identifying barriers and facilitators of hearing protection use in early-career musicians: a basis for designing interventions to promote uptake and sustained use. International Journal of Audiology 61:6, pages 463-472.
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WayneJ. Wilson, Ian O’Brien & AndrewP. Bradley. (2013) The Audiological Health of Horn Players. Journal of Occupational and Environmental Hygiene 10:11, pages 590-596.
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Robert Fulford, Jane Ginsborg & Juliet Goldbart. (2011) Learning not to listen: the experiences of musicians with hearing impairments. Music Education Research 13:4, pages 447-464.
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Kris Chesky. (2011) Schools of music and conservatories and hearing loss prevention. International Journal of Audiology 50:sup1, pages S32-S37.
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Articles from other publishers (9)

Elie Boissinot, Sarah Bogdanovitch, Annelies Bocksteal & Catherine Guastavino. (2022) Effect of Hearing Protection Use on Pianists’ Performance and Experience: Comparing Foam and Musician Earplugs. Frontiers in Psychology 13.
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Michael T. Loughran, Samuel Couth, Christopher J. Plack & Christopher J. Armitage. (2021) Identifying Targets for Interventions to Increase Earplug Use in Noisy Recreational Settings: A Qualitative Interview Study. International Journal of Environmental Research and Public Health 18:24, pages 12879.
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Nancy L. Nelson, Mead C. Killion, Jennifer J. Lentz & Gary R. Kidd. (2021) Hearing Protection Success: Musicians Have a Favorable Response to Hearing Protection and Listeners Are Unable to Identify Music Produced by Musicians Wearing Hearing Protection. Journal of the American Academy of Audiology 31:10, pages 763-770.
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Remy Wenmaekers, Bareld Nicolai, Maarten Hornikx & Armin Kohlrausch. (2017) Why orchestral musicians are bound to wear earplugs: About the ineffectiveness of physical measures to reduce sound exposure. The Journal of the Acoustical Society of America 142:5, pages 3154-3164.
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Jennifer S. Walter. (2016) Earplug Usage in Preservice Music Teachers. Update: Applications of Research in Music Education 35:2, pages 5-14.
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Melissa Auchter & Colleen G. Le Prell. (2014) Hearing Loss Prevention Education Using Adopt-a-Band: Changes in Self-Reported Earplug Use in Two High School Marching Bands. American Journal of Audiology 23:2, pages 211-226.
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Su-Hyun Jin, Peggy B. Nelson, Robert S. Schlauch & Edward Carney. (2013) Hearing Conservation Program for Marching Band Members: A Risk for Noise-Induced Hearing Loss?. American Journal of Audiology 22:1, pages 26-39.
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Mead C. Killion. (2012) Factors Influencing Use of Hearing Protection by Trumpet Players. Trends in Amplification 16:3, pages 173-178.
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Nicolas Schmuziger, Jochen Patscheke, Rolf Stieglitz & Rudolf Probst. (2012) Is There Addiction to Loud Music? Findings in a Group of Non-Professional Pop/Rock Musicians. Audiology Research 2:1, pages e11.
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