The Art of Cloth in Mughal India, by Sylvia Houghteling; and Sea Change: Ottoman Textiles between the Mediterranean and the Indian Ocean, by Amanda Phillips

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Disclosure Statement

No potential conflict of interest was reported by the author.

Notes

1 These include Rosemary Crill, V & A Pattern: Indian Florals (London: Victoria & Albert Museum, 2020); Karun Thakar, Rosemary Crill, Avalon Fotheringham, Sylvia Houghteling, Steven Cohen, Indian Textiles: 1,000 Years of Art and Design, exh. cat. (Washington, DC: the George Washington University Museum and the Textile Museum, 2021); Anjkali Karolia, Traditional Indian Handcrafted Textiles: History, Techniques, Processes, and Designs, 2 vols. (New Delhi: Niyogi Books, 2020); Karuna Dietrich Wielenga, Weaving Histories: The Transformation of the Handloom Industry in South India, 1800–1960 (Oxford: Oxford University Press, 2020); Helmut F. Neumann and Heidi Neumann, Textiles of India (Munich: Prestel, 2020); Meera Venkatachalam, Renu Modi, and Johann Salazar, Common Threads: Fabrics Made-in-India for Africa (Leiden: African Studies Center, 2020); Ellen B. Avril and Ruth Barnes, Traded Treasure: Indian Textiles for Global Markets, exh. cat. (Ithaca, NY: Herbert F. Johnson Museum of Art, Cornell University, 2019); Sarah Fee, ed., Cloth that Changed the World: The Art and Fashion of Indian Chintz, exh. cat. (Toronto: Royal Ontario Museum, 2019); Kazuo Kobayashi, Indian Cotton Textiles in West Africa: African Agency, Consumer Demand and the Making of the Global Economy, 1750–1850 (London: Palgrave MacMillan, 2019).

2 For imperial silks, see Alison Effeny and Julian Raby, eds., İpek, The Crescent & The Rose: Imperial Ottoman Silks and Velvets (London: Azimuth Editions, 2001), and Hülya Bilgi, Çatma & Kemha: Ottoman Silk Textiles, exh. cat. (Istanbul: Sadberk Hanim Museum, 2007); for camlet production in central Anatolia, see Filiz Yenişehirlioğlu and Gözde Çerçioğlu Yücel, Weaving the History: Mystery of a City, Sof (Istanbul: Koç University Press, 2021); for costume studies, see Suraiya Faroqhi and Christoph K. Neumann, eds., Ottoman Costumes: From Textile to Identity (Istanbul: Eren, 2004); for Anatolian nomadic production, see Sumru Belger Krody, ed., A Nomad’s Art: Kilims of Anatolia, with Walter Denny, Kimberly Hart, and Şerife Atlıhan, exh. cat. (Washington, DC: George Washington University Museum and the Textile Museum, 2018); and for the examination of various types of Turkish textiles, see Walter B. Denny and Sumru Belger Krody, The Sultan’s Garden: The Blossoming of Ottoman Art, exh. cat. (Washington, DC: George Washington University Museum and the Textile Museum, 2012).

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Notes on contributors

Sumru Belger Krody

Sumru Belger Krody is senior curator at the Textile Museum Collection, the George Washington University Museum and the Textile Museum [701 21st Street NW, Washington, DC 20052].