Playing for Keeps: Improvisation in the Aftermath

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Notes

1 Ajay Heble and Rob Wallace, eds., People Get Ready: The Future of Jazz is Now! (Durham & London: Duke University Press, 2013); Daniel Fischlin, Ajay Heble, and George Lipsitz, The Fierce Urgency of Now: Improvisation, Rights, and the Ethics of CoCreation (Durham & London, Duke University Press, 2013).

2 Gillian Siddall and Ellen Waterman, eds., Negotiated Moments: Improvisation, Sound, and Subjectivity (Durham & London: Duke University Press, 2016).

3 Georgina Born, Eric Lewis, and Will Straw, eds., Improvisation and Social Aesthetics (Durham & London: Duke University Press, 2017).

4 George E. Lewis and Benjamin Piekut, eds., The Oxford Handbook of Critical Improvisation Studies, Volume 1 (New York: Oxford University Press, 2013); George E. Lewis and Benjamin Piekut, eds., The Oxford Handbook of Critical Improvisation Studies, Volume 2 (New York: Oxford University Press, 2016).

5 Gary Peters, Improvising Improvisation: From out of Philosophy, Music, Dance, and Literature (Chicago & London: University of Chicago Press, 2017); Simon Rose, The Lived Experience of Improvisation: In Music, Learning and Life (Chicago & London: University of Chicago Press, 2017).

6 Alessandro Bertinetto and Marcello Ruta, eds., The Routledge Handbook of Philosophy and Improvisation in the Arts (Abington: Routledge, Forthcoming 2021); Susanne Ravn, Simon Høffding, and James McGuirk, eds., Philosophy of Improvisation: Interdisciplinary Perspectives on Theory and Practice (Abington: Routledge, Forthcoming 2021).

7 Daniel Fischlin and Eric Porter, eds., Playing for Keeps: Improvisation in the Aftermath (Durham & London: Duke University Press, 2020), 10.

8 Ibid., 87.

9 Ibid., 3–4.

10 Ibid., 39.

11 Ibid., 58.

12 Ibid., 14.

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Notes on contributors

Rebecca Zola

Rebecca Zola is completing her Master's degree in musicology from Hebrew University at the end of the academic year. Her research focuses on jazz and gender studies, and her thesis topic, which will be included in an upcoming publication from Routledge, is entitled “Women in Jazz: A Failed Brand.” She has presented her research at multiple conferences in Israel and internationally.