396
Views
0
CrossRef citations to date
0
Altmetric
Research Article

Continuity and Revival: 12th-Century Standing Crosses in Huntingdonshire

&

Figures & data

Fig. 1. Map showing locations of East Midlands sites mentioned in the text

Drawing and copyright authors

Fig. 1. Map showing locations of East Midlands sites mentioned in the textDrawing and copyright authors

Fig. 2. The ‘Radulfus Cross’, Fletton: reconstruction of original monument from four known stones

Drawing: Dave Watt, copyright authors

Fig. 2. The ‘Radulfus Cross’, Fletton: reconstruction of original monument from four known stonesDrawing: Dave Watt, copyright authors

Fig. 3. The ‘Radulfus Cross’, Fletton. The upper part of the cross today

Photos and copyright authors

Fig. 3. The ‘Radulfus Cross’, Fletton. The upper part of the cross todayPhotos and copyright authors

Fig. 4. Mid-12th-century sculpted roundels from architectural contexts: a) Ely Cathedral, Prior’s Door, jambs; b) Canterbury Cathedral, Green Court gatehouse, roundels in outer order; c) York, St Margaret Walmgate, south door—drawing of 1790, engraved 1791 by John Carter; d) Conisbrough, coped and sculpted grave-cover—drawing by John Carter; e) York, voussoirs thought to come from All Saints church, Pavement and now in the Yorkshire Museum a) Photos Zarnecki, Ely Cathedral, pls 84, 87, 89, 90, 92 b) Photos Fergusson, Canterbury Cathedral Priory, pls 96, 97 c) J. Carter, Specimens of Ancient Sculpture and Painting (London 1780–87), II, between 34 and 35 d) Carter, Specimens, II, between 52 and 53 e) Photo RCHME, Inventory of the Historical Monuments of the City of York Vol. IV. Outside the City Walls East of the Ouse (London 1975), pl. 28

Fig. 4. Mid-12th-century sculpted roundels from architectural contexts: a) Ely Cathedral, Prior’s Door, jambs; b) Canterbury Cathedral, Green Court gatehouse, roundels in outer order; c) York, St Margaret Walmgate, south door—drawing of 1790, engraved 1791 by John Carter; d) Conisbrough, coped and sculpted grave-cover—drawing by John Carter; e) York, voussoirs thought to come from All Saints church, Pavement and now in the Yorkshire Museum a) Photos Zarnecki, Ely Cathedral, pls 84, 87, 89, 90, 92 b) Photos Fergusson, Canterbury Cathedral Priory, pls 96, 97 c) J. Carter, Specimens of Ancient Sculpture and Painting (London 1780–87), II, between 34 and 35 d) Carter, Specimens, II, between 52 and 53 e) Photo RCHME, Inventory of the Historical Monuments of the City of York Vol. IV. Outside the City Walls East of the Ouse (London 1975), pl. 28

Fig. 5. The Kings Ripton cross fragment: a) broad face A; b) right-hand narrow face B; c) left-hand narrow face D

Photos and copyright authors

Fig. 5. The Kings Ripton cross fragment: a) broad face A; b) right-hand narrow face B; c) left-hand narrow face DPhotos and copyright authors

Fig. 6. Figure of Temperancia in glass from the oculus in the north wall of the north transept at Canterbury Cathedral

Caviness, Windows, pl. 12 No. 30. Photo and copyright Corpus Vitrearum Medii Aevi

Fig. 6. Figure of Temperancia in glass from the oculus in the north wall of the north transept at Canterbury CathedralCaviness, Windows, pl. 12 No. 30. Photo and copyright Corpus Vitrearum Medii Aevi

Fig. 7. Proposed original setting of Kings Ripton cross, based on Hart, ‘Foundation of Ramsey Abbey’, fig. 3 with additions

Drawing and copyright authors

Fig. 7. Proposed original setting of Kings Ripton cross, based on Hart, ‘Foundation of Ramsey Abbey’, fig. 3 with additionsDrawing and copyright authors

Fig. 8. The Godmanchester cross: the only known image of the monument From The Church Builder, 37 (1871)

Fig. 8. The Godmanchester cross: the only known image of the monument From The Church Builder, 37 (1871)

Fig. 9. The Godmanchester cross: reconstruction based on

Drawing: Dave Watt, copyright authors

Fig. 9. The Godmanchester cross: reconstruction based on Fig. 8Drawing: Dave Watt, copyright authors

Fig. 10. The Godmanchester cross: suggested original location as market cross

Drawing and copyright authors

Fig. 10. The Godmanchester cross: suggested original location as market crossDrawing and copyright authors

Fig. 11. The Tilbrook/Kimbolton cross: a) the remains of the cross today; b) detail of bishop, showing the careful chisel damage to mouth

Photos and copyright authors

Fig. 11. The Tilbrook/Kimbolton cross: a) the remains of the cross today; b) detail of bishop, showing the careful chisel damage to mouthPhotos and copyright authors

Fig. 12. The Tilbrook/Kimbolton cross: reconstruction of original monument from two surviving stones

Drawing: Dave Watt, copyright authors

Fig. 12. The Tilbrook/Kimbolton cross: reconstruction of original monument from two surviving stonesDrawing: Dave Watt, copyright authors

Fig. 13. Tilbrook and Kimbolton. Plan showing features mentioned in the text

Drawing and copyright authors

Fig. 13. Tilbrook and Kimbolton. Plan showing features mentioned in the textDrawing and copyright authors

Fig. 14. The Hilton cross fragment: a) surviving broad face A; b) right-hand narrow face B; c) left-hand narrow face D

Photos and copyright authors

Fig. 14. The Hilton cross fragment: a) surviving broad face A; b) right-hand narrow face B; c) left-hand narrow face DPhotos and copyright authors

Fig. 15. Cross-head at Kedington, Suffolk. Here argued to be mid-12th century in date

Copyright Corpus of Anglo-Saxon Stone Sculpture

Fig. 15. Cross-head at Kedington, Suffolk. Here argued to be mid-12th century in dateCopyright Corpus of Anglo-Saxon Stone Sculpture

Fig. 16. Layout of Hilton village, redrawn from the estate map of 1778, Cambridge University Library, Maps MS Plans 635, surveyed by John Spyers for Lancelot ‘Capability’ Brown as an appurtenance of the lordship of Fenstanton

Drawing and copyright authors

Fig. 16. Layout of Hilton village, redrawn from the estate map of 1778, Cambridge University Library, Maps MS Plans 635, surveyed by John Spyers for Lancelot ‘Capability’ Brown as an appurtenance of the lordship of FenstantonDrawing and copyright authors