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Abstract
Understanding the phenomenon of religious violence requires a theoretical approach to the task. Ideally, the theoretical framework must integrate (1) the insights of neurobiology and ethnology elucidating the roots of aggression in the organism and its manifestations in animal behaviour, (2) the expression of these in human violence, which requires careful attention to linguistic and other expressions in culture, (3) the special role of religious representations in this connection, and (4) the mechanisms, in time and place, whereby the role of religion in the maintenance of cultural order is reversed, and becomes an ally of violence. Psychological theories, like the psychoanalytic school, have a contribution to make to this end. But they also exhibit limitations. The most compelling anthropological theory to date is René Girard's, which focuses on mimetic desire, violence, its resolution through scapegoating and subsequent enactment in ritual. The sacred is seen to lie at the origins of cultural order. But it also harbours a potential for a resurgence of the violence it conceals. Other researchers have shown how certain features of modernity unwittingly fuel violence through the promulgation of stereotypical, group identities. Contemporary Islamist violence (Jihadism) offers a case-study for these theoretical axioms. The example is not peculiar or sui generis. Rather it illustrates, more widely, the nature of the sacred and its relation to history. The Islamic tradition and modern Muslim history also provide a template for an analytic understanding of religious symbols, and their degradation into symbols of a typically modern demand for recognition of ego and group orientated identities. This psychosocial configuration necessarily escapes the attention of the actors, and because of the nominal persistence of old symbols, may also escape the attention of observers. To expose and explain these discrepancies is one of the central tasks of analysis in the proposed theoretical framework.