References
- Abbott, Stephen. 2014. “Simon McBurney’s Ambitious Pursuit of the Pure Maths Play.” Interdisciplinary Science Reviews 39 (3): 224–37. doi: 10.1179/0308018814Z.00000000086
- Albers, Donald J, Gerald L. Alexanderson, and William Dunham. 2015. The G. H. Hardy Reader. Cambridge: Cambridge University Press.
- Campos, Liliane. 2007. “Search for Resonance: Scientific Patterns in Complicite’s Mnemonic and A Disappearing Number.” Interdisciplinary Science Reviews 32 (4): 326–34. doi: 10.1179/030801807X211810
- Complicite. 2007. A Disappearing Number, Directed by Simon McBurney. London: Barbican Center 10 Sep 2007. DVD.
- Complicite. 2011. A Disappearing Number. London: Oberon Books.
- Hardy, G. H. March 2005. “A Mathematician’s Apology.” University of Alberta Mathematical Science Society. Web.
- Kemp, Rick. 2018. “Devising: Embodied Creativity in Distributed Systems.” In The Routledge Companion to Theatre, Performance, and Cognitive Science, edited by Rick Kemp and Bruce McConachie, 48–57. New York: Routledge.
- Reinelt, Janelle. 2001. “Performing Europe: Identity Formation for a ‘New’ Europe.” Theatre Journal 43 (3): 365–387. doi: 10.1353/tj.2001.0084
- Shepherd-Barr, Kirsten. 2006. Science on Stage: From Doctor Faustus to Copenhagen. Princeton: Princeton University Press.
- Sebesta, Judith, and Robin Stone 2008. “A Review of A Disappearing Number.” Theatre Journal 60 (3): 489–491. doi: 10.1353/tj.0.0075
- Whiteley, Louise. 2007. “Variations on a Theorem.” Science New Series 318 (5847): 47–48.
- Williams, David. 2005. “Simon McBurney.” In Fifty Key Theatre Directors, edited by Shomit Mitter and Marian Shevtsova, 247–251. New York: Routledge.
- Winston, Joe. 2008. “Mathematics, Science, and the Liberating Beauty of Theatre.” In Creative Encounters: New Conversations in Science, Education and the Arts, edited by Ralph Levinson, Helen Nicholson, and Simon Parry, 30–47. London: Wellcome Trust.
- Wiśniewski, Tomasz. 2016. Complicite, Theatre and Aesthetics: From Scraps of Leather. Switzerland: Palgrave Macmillan.