‘Take Her Out and Air Her’: Irish Dances as Arranged by Stanford and Grainger

References

• Adelaide. 1908. ‘Ada Crossley’s Return.’ 26 November 1908, 9.
   Google Scholar
• Argus. 1953. ‘Famous Composers: Percy Aldrich Grainger.’ 24 April 1953, 21.
   Google Scholar
• B.D.B. 1954. ‘Stanford, (Sir) Charles (Villiers). Catalogue of Works.’ In Grove’s Dictionary of Music and Musicians, edited by Eric Blom, 5th ed. London: MacMillan.
   Google Scholar
• Bearman, C. J. 2003. ‘Percy Grainger, the Phonograph, and the Folk Song Society.’ Music & Letters 84, no. 3: 434–55. https://doi.org/10.1093/ml/84.3.434.
   Web of Science ®Google Scholar
• Belfast Newsletter. 1907a. ‘Belfast Philharmonic Society: Third Subscription Concert.’ 2 February 1907, 11.
   Google Scholar
• Belfast Newsletter. 1907b. ‘Mr Philip’s Subscription Concerts.’ 9 October 1907, 8.
   Google Scholar
• Bellio, Natalie Stephanie. 2013. ‘Percy Grainger and New Worlds of Concert Pianism: A Study of Repertoire and Programming (1914–1926).’ MMus diss., University of Melbourne.
   Google Scholar
• Bird, John. 1976. Percy Grainger. London: P. Elek.
   Google Scholar
• Bournemouth Graphic. 1906. ‘Mr Dan Godfrey’s Benefit Concerts.’ 1 February 1906, 78.
   Google Scholar
• Boyes, Georgina. 2010. The Imagined Village: Culture, Ideology, and the English Folk Revival. Rev. ed. Leeds: No Masters Co-operative.
   Google Scholar
• Brand. 1937. ‘Grainger Keyboard Virtuoso Boasts Versatile Biography.’ 30 January 1937, 2.
   Google Scholar
• Caldwell, John. 1999. The Oxford History of English Music. Vol. 2, c.1715 to the Present Day. Oxford: Oxford University Press.
   Google Scholar
• Commins, Adèle. 2012. ‘Charles Villiers Stanford’s Preludes for Piano op. 163 and op. 179: A Musicological Retrospective.’ 3 vols. PhD diss., National University of Ireland, Maynooth.
   Google Scholar
• Commins, Adèle. 2019. ‘Watchmen on the Walls of Music Across the Atlantic: Reception of Charles Villiers Stanford and His Music in the American Press.’ In How Popular Culture Travels: Cultural Exchanges between Ireland and the United States, edited by Sylvie Mikowski and Yann Philippe, 39–81. Reims: Editions et Presses Universitaires de Reims. https://doi.org/10.3726/978-3-0353-0477-0.
   Google Scholar
• Cooper, David. 2002. The Petrie Collection of the Ancient Music of Ireland. Cork: Cork University Press.
   Google Scholar
• Daily News. 1905. ‘Music and Musicians.’ 17 November 1905, 12.
   Google Scholar
• Daily News (Perth). 1907a. ‘Mainly about People.’ 10 July 1907, 6.
   Google Scholar
• Daily News (Perth). 1907b. ‘Dramatic and Musical Notes.’ 20 July 1907, 5.
   Google Scholar
• Daily Telegraph. 1905. ‘Aeolian Hall.’ 1 December 1905, 7.
   Google Scholar
• de Val, Dorothy. 2014. ‘No More “Watered Mendelssohn”: Percy Grainger as Innovator in His Early British Folk Song Settings.’ Book of Abstracts for North American British Music Studies Association, 7.
   Google Scholar
• de Val, Dorothy. 2016. ‘“A Natural Innovationist”: Percy Grainger’s Early British Folk Song Settings.’ In Grainger the Modernist, edited by Suzanne Robinson and Kay Dreyfus, 77–92. New York: Routledge. https://doi.org/10.4324/9781315585772.
   Google Scholar
• Derry Journal. 1936. ‘Wireless.’ 3 January 1936, 3.
   Google Scholar
• Dibble, Jeremy. 2002. Charles Villiers Stanford: Man and Musician. Oxford: Oxford University Press.
   Google Scholar
• Dreyfus, Kay. 2002. ‘Percy Grainger’s London Addresses: Part 1: The Historical Background.’ Grainger Society Journal 16, no. 1: 24–39.
   Google Scholar
• Dublin Daily Express. 1909. ‘Feis Ceoil.’ 8 May 1909, 2.
   Google Scholar
• Dundee Courier. 1925. ‘Weekend Broadcasting.’ 27 June 1925, 3.
   Google Scholar
• Evening Mail. 1917. ‘Miss Sybil Eaton’s Recital.’ 2 November 1917, 8.
   Google Scholar
• Fleischmann, Aloys. 1972. ‘Aspects of George Petrie. IV. Petrie’s Contribution to Irish Music.’ Proceedings of the Royal Irish Academy. Section C: Archaeology, Celtic Studies, History, Linguistics, Literature 72: 195–218. http://www.jstor.org/stable/25506267.
   Google Scholar
• Forbes, Anne-Marie. 2000. ‘Grainger in Edwardian London.’ Australasian Music Research 5: 1–16.
   Google Scholar
• Foreman, Lewis. 1981. ‘Miscellaneous Works.’ In The Percy Grainger Companion, edited by Lewis Foreman, 137–54. London: Thames Publishing.
   Google Scholar
• Freeman, Graham. 2009. ‘“That Chief Undercurrent of My Mind”: Percy Grainger and the Aesthetics of English Folk Song.’ Folk Music Journal 9, no. 4: 581–617.
   Web of Science ®Google Scholar
• Freeman, Graham. 2011. ‘“It Wants All the Creases Ironing Out”: Percy Grainger, the Folk Song Society, and the Ideology of the Archive.’ Music & Letters 92, no. 3: 410–36. https://doi.org/10.1093/ml/gcr075.
   Web of Science ®Google Scholar
• Freeman, Graham. 2012. ‘“Into a Cocked-Hat”: The Folk Song Arrangements of Percy Grainger, Cecil Sharp and Benjamin Britten.’ Grainger Studies: An Interdisciplinary Journal 2: 33–54. http://hdl.handle.net/11343/118256.
   Google Scholar
• Freeman’s Journal (Sydney). 1906. ‘Woman’s Page.’ 13 January 1906, 25.
   Google Scholar
• Freeman’s Journal (Sydney). 1908. ‘Percy Grainger.’ 24 September 1908, 26.
   Google Scholar
• Friskin, James, and Irwn Freundlich. 1973. Music for the Piano: A Handbook of Concert and Teaching Material from 1580 to 1952. New York: Dover.
   Google Scholar
• Fuller Maitland, J.A. 1934. The Music of Parry and Stanford: An Essay in Comparative Criticism. Cambridge: Heffer.
   Google Scholar
• Fuller Maitland, J.A. 1940. ‘Stanford, Charles Villiers.’ In Grove’s Dictionary of Music and Musicians, edited by H.C. Colles. 4th ed. London: Macmillan.
   Google Scholar
• Gibb, James. 1972. ‘The Growth of National Schools.’ In Keyboard Music, edited by Denis Matthews, 259–315. Middlesex: Penguin Books.
   Google Scholar
• Gillies, Malcolm, and David Pear, eds. 1994. The All-Round Man, Selected Letters of Percy Grainger 1914–1961. Oxford: Clarendon Press; New York: Oxford University Press.
   Google Scholar
• Gloucester Citizen. 1925. ‘Broadcasting: Today’s Programmes.’ 16 November 1925, 5.
   Google Scholar
• Grainger, Percy. 1949a. ‘Mrs Lowrey Dubbed as “English” My 1902 Setting of “Irish Tune from County Derry.”’ Anecdotes 423-16: 8. Accession no. 03.2001. Grainger Museum Collection, University of Melbourne (hereafter GM).
   Google Scholar
• Grainger, Percy. 1949b. ‘My Dealings with Stanford Anent His “Four Irish Dances.”’ Anecdotes 423-18: 9. Accession no. 03.2001. GM.
   Google Scholar
• Grainger, Percy. 1949c. ‘Stanford Deemed My “Irish Tune” Un-Irish and My “Brigg Fair” Un-English: His Disapproval of Vaughan Williams’s Norfolk Rhapsodies.’ Anecdotes 423-17: 8–9. Accession no. 03.2001. GM.
   Google Scholar
• Grainger, Percy. 1949d. ‘Stanford Wanted to Take Me to the Norfolk Conn. Festival to Play His “Down Among the Dead Men” Variations.’ Anecdotes 423-20: 10. Accession no. 03.2001. GM.
   Google Scholar
• Grainger, Percy. 1994. ‘Letter to Cecil Sharp.’ 14 April 1924. In The All-Round Man: Selected Letters of Percy Grainger, 1914–1961, edited by Malcolm Gillies and David Pear, 66–68. Oxford: Clarendon Press; New York: Oxford University Press.
   Google Scholar
• Grainger, Percy. n.d.a. ‘Notes on Sir Charles Villiers Stanford.’ Oddments. Accession no. 03.2038. GM.
   Google Scholar
• Grainger, Percy. n.d.b. ‘Stanford 4 Irish Dances.’ ‘Glanville’ Music Sketch Books. MG5-22–3: 7. GM.
   Google Scholar
• Grainger, Percy. 1908. ‘Collecting with the Phonograph.’ Journal of the Folk-Song Society 3, no. 1: 147–62.
   Google Scholar
• ‘Grainger: Rambles & Reflections.’ Presto Music. Accessed 22 July 2021. https://www.prestomusic.com/classical/products/8003785–grainger-rambles-reflections.
   Google Scholar
• Greene, Harry Plunket. 1935. Charles Villiers Stanford. London: E. Arnold.
   Google Scholar
• H.A.S. 1905. ‘Aeolian Hall.’ Westminster Gazette, 2 December 1905, 19.
   Google Scholar
• Hendon and Finchley Times. 1932. ‘Edgar Carr’s Recital.’ 13 May 1932, 12.
   Google Scholar
• Hudson, Frederick. 1976. ‘A Revised and Extended Catalogue of the Works of Charles Villiers Stanford (1852–1924).’ Music Review 37, no. 2: 106–29.
   Google Scholar
• Hudson, Frederick. 1980. ‘Stanford, Charles Villiers.’ In The New Grove Dictionary of Music and Musicians, edited by Stanley Sadie. London: Macmillan.
   Google Scholar
• Hudson, Frederick. 1994. ‘A New Catalogue of the Works of Charles Villiers Stanford 1852–1924 Compiled from the Original Sources’. Stanford (Charles Villiers) Archive, Newcastle University Special Collections, GB 186. https://specialcollections.ncl.ac.uk/cvs.
   Google Scholar
• Keebaugh, Aaron. 2004. ‘Victorian and Musician Charles Villiers Stanford’s Symphonies in Context.’ MA diss., University of Florida.
   Google Scholar
• Klein, Axel. 1996. ‘Irish Composers and Foreign Education.’ In Irish Musical Studies. Vol. 4, The Maynooth International Musicological Conference 1995, Selected Proceedings, edited by Patrick Devine and Harry White, 4: 271–84. Dublin: Irish Academic Press.
   Google Scholar
• Klein, Axel. 2001. Irish Classical Recordings: A Discography of Irish Art Music. Westport: Greenwood Press.
   Google Scholar
• London Daily News. 1905. ‘Queen’s Hall Sunday Afternoon Concerts.’ 20 May 1905, 1.
   Google Scholar
• London Evening Standard. 1904. ‘Their Majesties Court.’ 23 April 1904, 4.
   Google Scholar
• Looker-On. 1914. ‘The Philharmonic Society. Grand Patriotic Concert.’ 31 October 1914, 6.
   Google Scholar
• Lyttelton Times. 1909. ‘Amusements: Madame Ada Crossley. First Concert.’ 11 January 1909, 8.
   Google Scholar
• Mellers, Wilfrid. 1992. Percy Grainger. Oxford: Oxford University Press.
   Google Scholar
• Moeran, E. J. 1924. ‘Sir Charles Villiers Stanford, Mus. Doc., D.C.L. Born September 30th, 1852. Died March 29th, 1924.’ Journal of the Folk-Song Society 7, no. 28: 199. https://www.jstor.org/stable/4434141.
   Google Scholar
• Morning Post. 1905. ‘Herr Adolf Rebner’s Recital.’ 6 December 1905, 9.
   Google Scholar
• Morning Post. 1906. ‘Their Majesties’ Court.’ 14 July 1906, 5.
   Google Scholar
• Murphy, Michael. 1998. ‘Nation, Race and Empire in Stanford’s Irish Works: Music in the Discourse of British Imperialist Culture.’ In Music in Ireland, 1848–1998, edited by Richard Pine, 46–55. Dublin: Mercier.
   Google Scholar
• Northampton Courier and Echo. 1923. ‘Miss Beasley’s Concerts.’ 17 February 1923, 8.
   Google Scholar
• Northern Whig. 1913. ‘Belfast Philharmonic Society.’ 8 February 1913, 10.
   Google Scholar
• Northern Whig. 1912. ‘Mr Phillips’s Subscription Concerts.’ 17 February 1912, 9.
   Google Scholar
• O’Sullivan, Donal. 1946. ‘The Petrie Collections of Irish Folk Music.’ Journal of the English Folk Dance and Song Society 5, no. 1: 1–12.
   Google Scholar
• Ould, Barry Peter. 2002. ‘Four Irish Dances (Stanford/Grainger).’ Hyperion. https://www.hyperion-records.co.uk/dw.asp?dc=W3011_67279.
   Google Scholar
• Parry, John. 1988. ‘Piano Music: 1870–1914.’ In The Romantic Age 1800–1914. Vol. 5 of The Athlone History of Music in Britain, edited by Nicholas Temperley, 424–34. Oxford: Blackwell.
   Google Scholar
• Porte, John F. 1921. Sir Charles V. Stanford. London: Kegan Paul, Trench, Trubner.
   Google Scholar
• Queen. 1905. ‘Music and Musicians.’ 25 November 1905, 908.
   Google Scholar
• Referee. 1905. ‘Of Matters Musical.’ 19 November 1905, 5.
   Google Scholar
• Register. 1924. ‘Famous Australian Composer.’ 28 June 1924, 10.
   Google Scholar
• Richmond Times Despatch. 1917. ‘Miss Margaret Wilson to Sing Here Saturday.’ 4 November 1917, 4.
   Google Scholar
• Robinson, Suzanne, and Kay Dreyfus, eds. 2016. Grainger the Modernist. London: Routledge. https://doi.org/10.4324/9781315585772.
   Google Scholar
• Rodmell, Paul. 2002. Charles Villiers Stanford. Aldershot: Ashgate.
   Google Scholar
• Roud, Steve. 2017. Folk Song in England. London: Faber & Faber.
   Google Scholar
• Ryan, Joseph. 1995. ‘Nationalism and Irish Music.’ In Irish Musical Studies: Music and Irish Cultural History, edited by Gillen Gerard and White Harry, 101–15. Dublin: Irish Academic Press.
   Google Scholar
• S.G.   1975. ‘Stanford, (Sir) Charles (Villiers).’ In Grove’s Dictionary of Music and Musicians, edited by Eric Blom, 5th ed. London: Macmillan.
   Google Scholar
• Sacramento Union. 1916. ‘LUB Notes.’ 3 December 1916, 18.
   Google Scholar
• Scotsman. 1905a. ‘This Evening in Bechstein Hall.’ 16 November 1905, 5.
   Google Scholar
• Scotsman. 1905b. ‘Latest News.’ 1 December 1905, 7.
   Google Scholar
• Shaw, George Bernard. 1981. ‘Going Fantee.’ World, 10 May 1893. In Shaw’s Music: The Complete Musical Criticism in Three Volumes, edited by Dan H. Laurence, 2: 876–83. 2nd rev. ed. London: The Bodley Head.
   Google Scholar
• Simon, Robert. 2003. Percy Grainger: The Pictorial Biography. 3rd ed. Grafton, OH: Ludwig Music.
   Google Scholar
• Stanford Daily Archives. 1939. ‘Farm to Hear Percy Grainger: Pianist Will Play On Lecture Series.’ 23 January 1939, 1.
   Google Scholar
• Stanford, Charles Villiers, arr. Percy Grainger. 1907–1910. Four Irish Dances. London: Houghton & Co.
   Google Scholar
• Stanford, Charles Villiers, arr. Percy Grainger. 1912. Four Irish Dances. London: Stainer & Bell.
   Google Scholar
• Stanford, Charles Villiers, arr. Percy Grainger. 1916. Four Irish Dances. New York: J. Fischer.
   Google Scholar
• Stanford, Charles Villiers. 1882. Songs of Old Ireland: A Collection of Fifty Irish Melodies Unknown in England. London: Boosey.
   Google Scholar
• Stanford, Charles Villiers. 1893. Irish Songs and Ballads. London: Novello, Ewer.
   Google Scholar
• Stanford, Charles Villiers. 1895. The Irish Melodies of Thomas Moore: The Original Airs Restored and Arranged for the Voice with Pianoforte Accompaniment by Charles Villiers Stanford, op. 60. London: Boosey.
   Google Scholar
• Stanford, Charles Villiers. 1901. Songs of Erin. A Collection of Fifty Irish Folk Songs, op. 76. London: Boosey.
   Google Scholar
• Stanford, Charles Villiers. 1903a. ‘Irish Dances,’ op. 89. Additional Manuscript 4136, Royal College of Music (London).
   Google Scholar
• Stanford, Charles Villiers. 1903b. ‘Irish Dances for Small Orchestra,’ op. 89. Manuscript 4833, Royal College of Music (London).
   Google Scholar
• Stanford, Charles Villiers. 1905a. The Complete Collection of Irish Music as Noted by George Petrie; Edited from the Original Manuscripts. London: Boosey.
   Google Scholar
• Stanford, Charles Villiers. 1905b. ‘Letter to Percy Grainger.’ 5 January 1905. 2016/14/3/8. GM.
   Google Scholar
• Stanford, Charles Villiers. 1905c. ‘Letter to Percy Grainger.’ 7 February 1905. 2016/14/3/8. GM.
   Google Scholar
• Stanford, Charles Villiers. 1905d. ‘Letter to Percy Grainger.’ 12 March 1905. 2016/14/3/8. GM.
   Google Scholar
• Stanford, Charles Villiers. 1905e. ‘Letter to Percy Grainger.’ 21 October 1905. 2016/14/3/8. GM.
   Google Scholar
• Stanford, Charles Villiers. 1906a. ‘Letter to Percy Grainger.’ 17 July 1906. 2016/14/3/8. GM.
   Google Scholar
• Stanford, Charles Villiers. 1906b. The National Song Book: A Complete Collection of the Folk-Songs, Carols, and Rounds, Suggested by the Board of Education. London: Boosey and Hawkes.
   Google Scholar
• Stanford, Charles Villiers. 1907. ‘Letter to Percy Grainger.’ 7 June 1907. 2016/14/3/8. GM.
   Google Scholar
• Stanford, Charles Villiers. 1911. ‘Letter to Percy Grainger.’ 8 May 1911. 2016/14/3/8. GM.
   Google Scholar
• Stanford, Charles Villiers. 1915. ‘Some Thoughts Concerning Folk-Song and Nationality.’ Musical Quarterly 1, no. 2: 232–45. https://doi.org/10.1093/mq/I.2.232.
   Google Scholar
• Stanford, Charles Villiers. 1917–1924. Four Irish Dances Arranged for Violin and Piano, op. 89. London: Stainer & Bell.
   Google Scholar
• Stanford, Charles Villiers. n.d.a. ‘Letter to Percy Grainger.’ 2016/14/3/8. GM.
   Google Scholar
• Stanford, Charles Villiers. n.d.b. ‘Note to Grainger on advertisement for “The Bear” Manuscript Music Books.’ 2016/14/3/8. GM.
   Google Scholar
• ‘The Complete Petrie Collection of Ancient Irish Music.’ 1902. Irish Musical Monthly 11: 93–95.
   Google Scholar
• ‘The Complete Petrie Collection of Ancient Irish Music.’ 1903. Irish Musical Monthly 1: 121.
   Google Scholar
• The Times. 1901. ‘Miss Verne’s Recital.’ 12 December 1901, 15.
   Google Scholar
• Townsville Daily Bulletin. 1953. ‘Our Composers.’ 28 June 1953, 8.
   Google Scholar
• Trimble, Joan. 1979. ‘Carolan and His Patrons in Fermanagh and Neighbouring Areas.’ Clogher Record 10, no. 1: 26–50. https://doi.org/10.2307/27695786.
   Google Scholar
• Washington Herald. 1911. 19 March 1911, 6.
   Google Scholar
• White, Harry. 1998. The Keeper’s Recital: Music and Cultural History in Ireland, 1770–1970. Notre Dame, IN: University of Notre Dame Press.
   Google Scholar
• White, Jonathan. 2014. ‘The Symphonies of Charles Villiers Stanford: Constructing a National Identity?’ PhD diss., University of Oxford.
   Google Scholar