498
Views
0
CrossRef citations to date
0
Altmetric
Research Articles

“The Mystery Unsolved, Without Any Attempt to Solve It”: Detective Fiction and Waywardness in Norah Lange’s People in the Room

Works Cited

  • Aira, César. “A Second Birth: Argentine Master Norah Lange Gets her Due.” Words Without Borders. The Home for International Literature, 6 Aug. 2018. wordswithoutborders.org/read/article/2018-08/a-second-birth-argentine-master-norah-lange-gets-her-due-cesar-aira/
  • Altamiranda, Daniel. “Jorge Luis Borges (1899–1986).” Latin American Mystery Writers: An A-to-Z Guide, edited by Darrell B. Lockhart. Greenwood Press, 2004, pp. 37–43.
  • Armstrong, Nancy. Desire and Domestic Fiction. Oxford University Press, 1987.
  • Baudrillard, Jean. Seduction. Translated by Brian Singer. St. Martin’s Press, 1990.
  • Baudrillard, Jean. Passwords. Translated by Chris Turner. Verso, 2003.
  • Benjamin, Walter. Charles Baudelaire: A Lyric Poet in the Era of High Capitalism. Translated by Harry Zohn. Verso, 1983.
  • Bond Stockton, Kathryn. The Queer Child, or, Growing Sideways in the Twentieth Century. Duke University Press, 2009.
  • Borges, Jorge Luis. Ficciones. Translated by Anthony Kerrigan. Grove Press, 1962.
  • Borges, Jorge Luis. The Aleph and Other Stories, 1933–1969. Translated by Norman Thomas Di Giovanni. Bantam, 1971.
  • Borges, Jorge Luis. Selected Non-Fictions Vol 3. Translated by Esther Allen, Suzanne Jill Levine, and Eliot Weinberger. Penguin, 2000.
  • Borinsky, Alicia. “Jorge Luis Borges (1899–1986).” A Companion to Crime Fiction, edited by Charles J. Rzepka and Lee Horsley. Blackwell, 2010, pp. 462–74.
  • Brant, Herbert J. “‘Borges’ Homosexual Panic: Christensen’s Film Version of ‘La intrusa.’” IUPUI ScholarWorks Repository, 1996. scholarworks.iupui.edu/handle/1805/11948
  • Close, Glen S., and Elena Losada Soler. “Iberian and Latin American Crime Fiction.” The Cambridge Companion to World Crime Fiction, edited by Jesper Gulddal, Stewart King, and Alistair Rolls. Cambridge University Press, 2022, pp. 242–25.
  • Copjec, Joan. Read My Desire. Lacan against the Historicists. MIT Press, 1994.
  • De Nóbile, Beatriz. Palabras con Norah Lange. Reportaje y antología. Carlos Pérez Editor, 1968.
  • Díaz, Gwendolyn. Women and Power in Argentine Literature: Stories, Interviews and Critical Essays. University of Texas Press, 2007.
  • Edelman, Lee. No Future: Queer Theory and the Death Drive. Duke University Press, 2004.
  • Esplin, Emron. Borges’s Poe: The Influence and Reinvention of Edgar Allan Poe in Spanish America. University of Georgia Press, 2016.
  • Fernández Greene, Vanessa. “Norah Lange as Avant-Garde Writer and Girl-Woman.” Texas Studies in Literature and Language, vol. 60, no. 1, 2018, pp. 79–104.
  • Ferreira Prado, María Cecilia. “Una autobiografía fantástica de Norah Lange: Antes que mueran.” Estudios Románicos, vol. 26, 2017, pp. 173–84.
  • Foucault, Michel. The History of Sexuality, Volume I: An Introduction. Translated by Robert Hurley. Pantheon, 1978.
  • Fraser Delgado, Celeste. “Private Eyes in Argentina: The Novel and the Police State.” Latin American Literary Review, vol. 22, no. 44, 1994, pp. 49–73.
  • Halberstam, Jack. (Judith). In a Queer Time and Place. New York University Press, 2005.
  • Irwin, John. The Mystery to a Solution. John Hopkins University Press, 1993.
  • Jáuregui, Carlos. La homosexualidad en la Argentina. Tarso, 1987.
  • Lafforge, Jorge, and Jorge B. Rivera. Asesinos de papel. Ensayos sobre narrativa policial. Ediciones Colihue, 1995.
  • Lange, Norah. People in the Room. Translated by Charlotte Whittle. And Other Stories, 2018.
  • Lange, Norah. Obras completas. Tomo 2. Beatriz Viterbo Editora, 2006.
  • Levine, Susan F., and Stuart Levine. “Poe in Spanish America.” Poe Abroad: Influence, Reputation, Affinities, edited by Lois Davis Vines. University of Iowa Press, 1999, pp. 12–129.
  • Manzano, Valeria. “Sex, Gender and the Making of the ‘Enemy Within’ in Cold War Argentina.” Journal of Latin American Studies, vol. 47, no. 01, 2015, pp. 1–29. doi:10.1017/S0022216X14000686.
  • Masiello, Francine. Entre civilización y barbarie. Mujeres, nación y cultura literaria en la Argentina moderna. Beatriz Viterbo Editora, 1997.
  • McCrea, Barry. In the Company of Strangers: Family and Narrative in Dickens, Conan Doyle, Joyce, and Proust. Columbia University Press, 2011.
  • McHale, Brian. Constructing Postmodernism. Routledge, 1992.
  • Merivale, Patricia. “Postmodern and Metaphysical Detection.” A Companion to Crime Fiction, edited by Charles J. Rzepka and Lee Horsley. Blackwell, 2010. pp. 308–20.
  • Molloy, Sylvia. “Prólogo.” Obras completas. Tomo I, by Norah Lange. Beatriz Viterbo, 2005.
  • Molloy, Sylvia. “Dos proyectos de vida: ‘Cuadernos de infancia’ de Norah Lange y ‘El archipiélago’ de Victoria Ocampo.” Filología, vol. 20, no. 2, 1985, pp. 279–93.
  • Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” Contemporary Film Theory, edited by Antony Easthope. Longman, 1993, pp. 111–24.
  • Nicol, Bran. “Those Who Follow: Homosocial Choreography in Highsmith’s Queer Gothic.” Clues, vol. 33, no. 2, 2015, pp. 97–108.
  • Nicol, Bran. The Private Eye. Detectives at the Movies. Reaktion Books, 2013.
  • Nicol, Bran. “Detective Fiction and ‘the Original Crime’: Baudrillard, Calle, Poe.” Cultural Politics, vol. 7, no. 3, 2011a, pp. 445–64. doi:10.2752/175174311X13069348235411.
  • Nicol, Bran. “Police Thy Neighbour’: Crime Culture and the Rear Window Paradigm.” Crime Culture: Figuring Criminality in Literature and Film, edited by Bran Nicol, Patricia Pulham, and Eugene McNulty. Bloomsbury, 2011b, pp. 192–209.
  • Poe, Edgar Allan. The Portable Edgar Allan Poe, edited by J. Gerald Kennedy. Penguin, 2006.
  • Plotkin, Mariano. Mañana es San Perón: propaganda, rituales políticos y educación en el régimen peronista. Ariel, 1994.
  • Power, Chris. “A Brief Survey of the Short Story: Silvina Ocampo.” The Guardian, 2 November, 2015. www.theguardian.com/books/2015/nov/02/a-brief-survey-of-the-short-story-silvina-ocampo
  • Pravadelli, Veronica. Classic Hollywood: Lifestyles and Film Styles of American Cinema, 1930-1960. University of Illinois Press, 2014.
  • Pyrhönen, Heta. “Criticism and Theory.” A Companion to Crime Fiction, edited by Charles J. Rzepka and Lee Horsley, Blackwell, 2010, pp. 43–56.
  • Rhoads, Bonita. “Poe’s Genre Crossing: From Domesticity to Detection.” Poe Studies, vol. 42, no. 1, 2009, pp. 14–40. doi:10.1111/j.1947-4697.2009.00011.x.
  • Salessi, Jorge. Médicos, maleantes y maricas: Higiene, criminología y homosexualidad en la construcción de la nación Argentina (Buenos Aires: 1871–1914). Beatriz Viterbo Editora, 1995.
  • Sebreli, Juan José. Escritos sobre escritos, ciudades bajo ciudades. Editorial Sudamericana, 1997.
  • Sedgwick, Eve Kosofsky. Between Men: English Literature and Male Homosocial Desire. Columbia University Press, 1985.
  • Sedgwick, Eve Kosofsky. Epistemology of the Closet. University of California Press, 1990.
  • Sierra, Marta J. “Oblique Views: Artistic Doubling, Ironic Mirroring and Photomontage in the Works of Norah Lange and Norah Borges.” Revista Canadiense de Estudios Hispánicos, vol. 29, no. 3, 2005, pp. 563–84.
  • Smajić, Srdjan. Ghost-Seers, Detectives, and Spiritualists. Theories of Vision in Victorian Literature and Science. Cambridge University Press, 2010.
  • Sutherland, Camilla. “‘El pájaro de cuatro notas’: The Reception of Argentine Women Writers and Artists’ Work in Avant-Garde Magazines (1920–1930).” Journal of Iberian and Latin American Studies, vol. 23, no. 3, 2017, pp. 399–416. doi:10.1080/14701847.2017.1385224.
  • Sutherland, Camilla. “El sitio más cómodo y propicio para vigilar la otra”: Spaces of Childhood in the Work of Norah Lange.” The Feeling Child: Affect and Politics in Latin American Literature and Film, edited by Philippa Page, Inela Selimović, Camilla Sutherland. Lexington Books, 2018, pp. 49–68.