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Research Articles

No Strangers: Older Gay Men in the Films of Ventura Pons

Works Cited

  • A la deriva/Drifting. Directed by Ventura Pons, Els Films de La Rambla, 2009.
  • Amic/Amat/Beloved/Friend. Directed by Ventura Pons, Els Films de La Rambla, 1998.
  • Animals ferits/Wounded Animals. Directed by Ventura Pons, Els Films de La Rambla, 2005.
  • Anita no perd el tren/Anita Takes a Chance. Directed by Ventura Pons, Els Films de La Rambla, 2000.
  • Any de Gràcia/Year of Grace. Directed by Ventura Pons, Els Films de La Rambla, 2011.
  • Armengol, Josep M., and Raquel Medina. “Ageing Men and Masculinities in Contemporary Spanish Literature.” Bulletin of Spanish Studies, vol. 99, no. 4, 2022, pp. 561–78. doi:10.1080/14753820.2022.2095831.
  • Armengol, Josep M., and Agustina Varela-Manograsso. “Pain and Glory: Narrative (De)Constructions of Older Gay Men in Contemporary Spanish Culture and Cinema.” Journal of Aging Studies, vol. 63, 2022, pp. 1–8. doi:10.1016/j.jaging.2022.101030.
  • Barcelona (un mapa)/Barcelona (a Map). Directed by Ventura Pons, Els Films de La Rambla, 2007.
  • Barreto, Danny M. “The Age-Old Problem of LGBTQ Representation: Ageing, Intergenerational Relations and Queerness in Galician Literature.” Bulletin of Spanish Studies, vol. 99, no. 4, 2022, pp. 703–24. doi:10.1080/14753820.2022.2095867.
  • Berzosa Camacho, Alberto. Homoherejías fílmicas: Cine homosexual subversivo en España en los años 70 y 80. Brumaria, 2014.
  • Bota, Miquel. “It Is a Matter of Age: The Rejection of Inheritance in Josep Maria Benet i Jornet’s Testament and Ventura Pons’ Amic/Amat.” Bulletin of Spanish Studies, vol. 99, no. 4, 2022, pp. 725–40. doi:10.1080/14753820.2022.2095868.
  • Carícies/Caresses (1997). Directed by Ventura Pons, Els Films de La Rambla, 1997.
  • Chivers, Sally. The Silvering Screen. Old Age and Disability in Cinema. University of Toronto Press, 2011.
  • Cohen-Shalev, Amir. Visions of Aging: Images of the Elderly in Film. Sussex Academic Press, 2009.
  • Cola, Colita, Colassa. Directed by Ventura Pons, Els Films de La Rambla, 2014.
  • Collins, Jacky, and Sarah Gilligan. “Growing Old (Dis)Gracefully. Spanish Masculinities and Contemporary Star-Celebrity Culture.” Journal of Bodies, Sexualities, and Masculinities, vol. 4, no. 1, 2023, pp. 73–99. doi:10.3167/jbsm.2023.040106.
  • Dolan, Josephine. Contemporary Cinema and “Old Age”: Gender and the Silvering of Stardom. Palgrave Macmillan, 2017.
  • Dolor y gloria/Pain and Glory. Directed by Pedro Almodóvar, El Deseo, 2019.
  • Edelman, Lee. No Future: Queer Theory and the Death Drive. Duke University Press, 2004.
  • Ehrenburg, Scott. “Construcciones de espacios y de temporalidades queer en Ocaña, retrat intermitent (1978).” In Ventura Pons: Una mirada excepcional desde el cine catalán, edited by Andrés Lema-Hincapié and Conxita Domènech, Iberoamericana Vervuert, 2015, pp. 157–171.
  • El perquè de tot plegat/What Is It All About. Directed by Ventura Pons, Els Films de La Rambla, 1994.
  • El vicari d’Olot/the Vicary of Olot. Directed by Ventura Pons, Profilmar P.C., Teide P.C., 1981.
  • El virus de la por/Virus of Fear. Directed by Ventura Pons, Els Films de la Rambla, 2015.
  • En la ciudad sin límites/City of No Limits. Directed by Antonio Hernández, Icónica, Patagonik Film Group, Zebra Producciones, 2002.
  • Fernàndez, Josep‐Anton. “The Authentic Queen and the Invisible Man: Catalan Camp and Its Conditions of Possibility in Ventura Pons’s Ocaña, Retrat Intermitent.” Journal of Spanish Cultural Studies, vol. 5, no. 1, 2004, pp. 83–99. doi:10.1080/1463620032000173796.
  • Food of Love. Directed by Ventura Pons, Els Films de la Rambla, 2001.
  • Forasters/Strangers. Directed by Ventura Pons, Els Films de La Rambla, 2008.
  • Foucault, Michel. Discipline and Punish: The Birth of the Prison. Vintage Books, 1975.
  • Fouz-Hernández, Santiago. “Identity without Limits: Queer Debates and Representation in Contemporary Spain.” Journal of Iberian and Latin American Research, vol. 10, no. 1, 2004, pp. 63–81. doi:10.1080/13260219.2004.10429981.
  • Fouz-Hernández, Santiago. “Caresses: The Male Body in the Films of Ventura Pons.” In Mysterious Skin: Male Bodies in Contemporary Cinema, edited by Santiago Fouz-Hernández, I.B. Tauris, 2009, pp. 143–57.
  • Fouz-Hernández, Santiago. Cuerpos de cine. Masculinidades carnales en el cine y la cultura popular contemporáneos. Bellaterra, 2013.
  • Fouz-Hernández, Santiago. “La mirada homoerótica en el cine de Ventura Pons: de Ocaña, retrat intermitent (1978) a Ignasi M (2013).” In Ventura Pons. Una mirada excepcional desde el cine catalán, edited by Andrés Lema-Hincapié and Conxita Domènech, Iberoamericana/Vervuert, 2015, pp. 305–28.
  • Fouz-Hernández, Santiago. “Tablas, memoria, deseo: la vejez en el cine de Ventura Pons.” In Envejecimientos y cines ibéricos, edited by Barbara Zecchi et al., Tirant lo Blanch, 2020, pp. 141–68.
  • Freeman, Elizabeth. Time Binds: Queer Temporalities, Queer Histories. Duke University Press, 2010.
  • Gallop, Jane. Sexuality, Disability, and Aging. Queer Temporalities of the Phallus. Duke University Press, 2018.
  • Goltz, Dustin Bradley. Queer Temporalities in Gay Male Representation Tragedy, Normativity, and Futurity. Routledge, 2009.
  • Guarinos Galán, Virginia. “Envejecimiento (de tópicos) activo(s) en el cine español de las décadas del ‘bienestar.’ La tercera edad en el cine español durante los gobiernos socialistas de finales del siglo XX.” Área abierta, vol. 19, no. 1, 2019, pp. 59–73. doi:10.5209/arab.61154.
  • Guasch, Oscar. La sociedad rosa. Anagrama, 1991.
  • Gullette, Margaret Morganroth. Aged by Culture. University of Chicago Press, 2004.
  • Halberstam, Jack. In a Queer Time and Place: Transgender Bodies, Subcultural Lives. New York University Press, 2005.
  • Holmlund, Chris. Impossible Bodies: Femininity and Masculinity at the Movies. Routledge, 2002.
  • Ignasi M. Directed by Ventura Pons, Els Films de la Rambla, 2013.
  • Informe sobre el FAGC/Report About the FAGC. Directed by Ventura Pons, Els Films de La Rambla, 1979.
  • Jerónimo, Heather. “Masculinity, Creativity, and Successful Ageing in Pedro Almodóvar’s Pain and Glory (2019).” In Ageing Masculinities in Contemporary European and Anglophone Cinema, edited by Tony Tracy and Michaela Schrage-Früh, Routledge, 2022, pp. 160–74.
  • La mala educación/Bad Education. Directed by Pedro Almodóvar, El Deseo, 2004.
  • La rossa del bar/the Blonde at the Bar. Directed by Ventura Pons, Lauren Films, Els Films de la Rambla, 1986.
  • Las noches de Tefía/Nights in Tefía, created by Miguel Del Arco. Atresmedia, 2023.
  • Marr, Matthew J. The Politics of Age and Disability in Contemporary Spanish Film: Plus Ultra Pluralism. Routledge, 2013.
  • Martínez-Expósito, Alfredo. “La escena primordial en Dolor y gloria de Pedro Almodóvar.” Estudios Hispánicos, vol. 29, 2021, pp. 85–93. doi:10.19195/2084-2546.29.9.
  • Medina, Raquel. Cinematic Representations of Alzheimer’s Disease. Palgrave Macmillan, 2018.
  • Medina, Raquel. “Cinema and Glory: Almodóvar’s Aging Journey through Space, Time, Pain, and Loss.” In Gender and Age/Aging in Popular Culture. Representations in Film, Music, Literature, and Social Media, edited by Nicole Haring et al., Transcript Publishing, 2023, pp. 35–54.
  • Medina, Raquel and Barbara Zecchi, eds. Tecnologías de la edad. Imaginarios cinematográficos de la vejez. Comares, 2023.
  • Mil cretins/A Thousand Fools. Directed by Ventura Pons, Els Films de la Rambla, 2010.
  • Miss Dalí/Miss Dali. Directed by Ventura Pons, Els Films de la Rambla, 2017.
  • Morir o no/to Die (or Not). Directed by Ventura Pons, Els Films de la Rambla, 1999.
  • Mortimer, Claire. Spinsters, Widows and Chars: The Ageing Woman in British Film. Edinburgh University Press, 2021.
  • Ocaña, retrat intermintent/Ocaña, An Intermitent Portrait. Directed by Ventura Pons, Teide P.C., Prozesa (Producciones Zeta), 1978.
  • Oh, quina joia/Oh, What a Joy! Directed by Ventura Pons, Els Films de La Rambla, 2016.
  • Paasonen, Susanna. “‘Old Dirty Pops and Young Hot Chicks’: Age Differences in Pornographic Fantasies.” In Gender and Sexuality in the European Media. Exploring Different Contexts through Conceptualisations of Age, edited by Cosimo Marco Scarcelli et al., Routledge, 2021, pp. 146–60.
  • Port, Cynthia. “No Future? Aging, Temporality, History, and Reverse Chronologies, Occasion. Interdisciplinary Studies in the Humanities, vol. 4, 2012, pp. 1–19.
  • Resina, Joan Ramon. “La herencia de los bárbaros: fragilidad de la memoria y lucidez trágica en Amic/Amat (1998) y Forasters (2008) de Ventura Pons.” In Ventura Pons: Una mirada excepcional desde el cine catalán, edited by Andrés Lema-Hincapié and Conxita Domènech, Iberoamericana Vervuert, 2015, pp. 27–44.
  • Richardson, Niall. Ageing Femininity on Screen. The Older Woman in Contemporary Cinema. Bloomsbury, 2019.
  • Rowe, J.W., and R.L. Kahn. “Successful Aging.” The Gerontologist, vol. 37, no. 4, 1997, pp. 433–40. doi:10.1093/geront/37.4.433.
  • Russo, Vito. Celluloid Closet: Homosexuality in the Movies. Harper & Row, 1981.
  • Sabates Grosses/The Bigger, the Better. Directed by Ventura Pons, Els Films de la Rambla, 2016.
  • Said, Edward W. On Late Style. Bloomsbury, 2006.
  • Sandberg, Linn. “The Old, the Ugly and the Queer: Thinking Old Age in Relation to Queer Theory.” Graduate Journal of Social Science, vol. 5, no. 2, 2008, pp. 117–39.
  • Sandberg, Linn, and Barbara Marshall. “Queering Aging Futures.” Societies, vol. 7, no. 3, 2017, pp. 1–11. doi:10.3390/soc7030021.
  • Shary, Timothy, and Nancy McVittie. Fade to Gray: Aging in American Cinema. University of Texas Press, 2016.
  • Smith, Paul Julian. “Pasión y redención. El envejecimiento en Almodóvar.” In Envejecimientos y cines ibéricos, edited by Barbara Zecchi et al., Tirant lo Blanch, 2020, pp. 79–93.
  • Tracy, Tony, and Michaela Schrage-Früh, Editors, Ageing Masculinities in Contemporary European and Anglophone Cinema. Routledge, 2022.
  • Un berenar en Ginebra/An Afternoon in Geneva. Directed by Ventura Pons, Els Films de la Rambla, 2012.
  • Veneno, created by Javier Calvo and Javier Ambrossi. Atresmedia, 2020.
  • Vestida de azul/Dressed in Blue. Directed by Antonio Giménez Rico, Serva Films, 1983.
  • Vestidas de azul, produced by Javier Calvo and Javier Ambrossi, Atresmedia, 2023-24.
  • Waugh, Thomas. “The Third Body Patterns in the Construction of the Subject in Gay Male Narrative Film.” In Queer Looks, edited by Martha Gever et al., Routledge, 1993, pp. 141–61.
  • Zecchi, Barbara et al., editors. Envejecimientos y cines ibéricos. Tirant lo Blanch, 2020.