Works cited
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- Beckett, Samuel. “Not I.” Dramatic Works: Samuel Beckett: The Grove Centenary Edition, edited by Paul Auster, Grove, 2006, pp. 403–13.
- Brater, Enoch. Beyond Minimalism: Beckett’s Late Style in the Theater. Oxford UP, 1987.
- Catanzaro, Mary. “Recontextualizing the Self: The Voice as Subject in Beckett’s Not I.” The Critical Response to Samuel Beckett, edited by Cathleen Culotta Andonian, Greenwood, 1998, pp. 287–302.
- Cohn, Ruby. Just Play: Beckett’s Theater. Princeton UP, 1980.
- Conor, Liz. The Spectacular Modern Woman: Feminine Visibility in the 1920s. Indiana UP, 2004.
- Gierow, Karl Ragnar. “Award Ceremony Speech.” NobelPrize.org. Nobel Media AB, 2021, www.nobelprize.org/prizes/literature/1969/ceremony-speech/. Accessed 06 Mar. 2021.
- Lutterbie, John H. “‘Tender Mercies’: Subjectivity and Subjection in Samuel Beckett’s Not I.” The World of Samuel Beckett, edited by Joseph H. Smith, Johns Hopkins UP, 1991, pp. 86–106.
- “Not I.” The Lively Arts: Shades: Three Plays by Samuel Beckett, written by Samuel Beckett, directed by Donald and Anthony Page McWhinnie, BBC, 1977.
- Oppenheim, Lois. “Female Subjectivity in Not I and Rockaby.” Women in Beckett: Performance and Critical Perspectives, edited by Linda Ben-Zvi, U of Illinois P, 1990, pp. 217–27.
- Takahashi, Yasunari. “Qu’est-Ce Qui Arrive? Some Structural Comparisons of Beckett’s Plays and Noh.” Samuel Beckett: Humanistic Perspectives, edited by S. E. Gontarski, et al., Ohio State UP, 1983, pp. 99–106.
- Worth, Katherine. Samuel Beckett’s Theatre: Life Journeys. Clarendon, 1999.