https://orcid.org/0000-0002-8345-6868
References
- Baxter, V., 2013. Practice as research in South Africa. In: R Nelson, ed. Practice as research in the arts. London: Palgrave Macmillan, 163–174.
- Derrida, J., 1995. Archive fever: a Freudian impression. Eric Prenowitz, trans. Chicago, IL: University of Chicago Press.
- Fleishman, M., 2009. Knowing performance: performance as knowledge paradigm for Africa. South African Theatre Journal, 23, 116–136.
- Fleishman, M., 2012. The difference of performance as research. Theatre Research International, 37 (1), 28–37.
- Lehmann, H.-T., 2016. Tragedy and dramatic theatre. Erik Butler, trans. London: Routledge.
- Quayson, A., 2003. Calibrations: Reading for the social. Minneapolis: Minnesota University Press, 56–75.
- Scott, D., 2004. Conscripts of modernity: The tragedy of colonial enlightenment. London: Duke University Press.
- Scott, D., 2014. Omens of adversity: tragedy, time, memory, justice. London: Duke University Press.
- Soyinka, W., 1976. The fourth stage: through the mysteries of Ogun into the heart of Yoruba tragedy. In: W. Soyinka, ed. Myth, literature and the African world. Cambridge: Cambridge University Press, 130–160.