Publication Cover
Continuum
Journal of Media & Cultural Studies
Volume 27, 2013 - Issue 6
200
Views
1
CrossRef citations to date
0
Altmetric
Articles

‘Burn me up this time fellas!': when movies represent the recording studio

Pages 900-912 | Published online: 12 Nov 2013

References

  • Altman, R.1981. “Introduction to Bellour, R. ‘Segmenting/Analysing’.” In Genre: The Musical, edited by R.Altman, 102–103. London: Routledge & Kegan Paul.
  • Bellour, R.1981. “Segmenting/Analysing.” In Genre: The Musical, edited by R.Altman, 103–133. London: Routledge & Kegan Paul.
  • Borges, J. L.2000. “The Aleph.” Translated by AndrewHurleyThe Aleph and Other Stories, 118–133. London: Penguin.
  • Doyle, P.2004. “From ‘My Blue Heaven’ to ‘Race with the Devil’: Echo, Reverb and (Dis)ordered Space in Early Popular Music Recording.” Popular Music23 (1): 131–149.
  • Doyle, P.2005. Echo and Reverb: Fabricating Space in Popular Music Recording, 1900–1960. Middletown, CN: Wesleyan University Press/UPNE.
  • Gracyk, T.1996. Rhythm and Noise: An Aesthetics of Rock. Durham: Duke.
  • Guralnick, P.1994. Last Train to Memphis, 405–436. Boston: Little Brown.
  • Keightley, K.2005. “Abstract, ‘From Mimesis to Montage’.” Paper presented at Making Music, Making Meaning – 13th Biennial Conference of the International Association for the Study of Popular Music (IASPM), Rome, Italy, July 25–30.
  • Keightley, K.2010. “Abstract, ‘Studio Viewing: An Inside History of the Sonic Imagination’.” EMPlive This Is Pop Conference, Seattle, WA. www.empmuseum.org/education/index.asp?categoryID = 26&ccID = 127&xPopConfBioID = 1292&year = 2010.
  • Keil, C., and S.Feld. 1994. Music Grooves: Essays and Dialogues. Chicago: University of Chicago.
  • Schafer, R. M. 1977. The Tuning of the World. New York: Alfred Knopf.
  • Sterne, J.2003. The Audible Past: Cultural Origins of Sound Reproduction. Durham: Duke University.

Filmography

  • Beyond the Valley of the Dolls. Directed by Russ Meyer. Hollywood: Twentieth Century Fox1970.
  • Bird. Directed by Clint Eastwood. Burbank, CA: Malpaso1988.
  • Brothers of the Head. Directed by Keith Fulton, Louis Pepe. London: Potboiler Productions2005.
  • Cadillac Records. Directed by Darnell Martin. Hollywood: Sony BMG Film2008.
  • Five Easy Pieces. Directed by Bob Rafelson. Hollywood: Columbia1970.
  • Great Balls of Fire. Directed by Jim McBride. Hollywood: Orion1989.
  • Help!. D: Richard Lester. London: Walter Shenson Films1965.
  • “A Hit is a Hit”. (The Sopranos, season 1, episode 10). Directed by Matthew Penn. Santa Monica, CA: HBO2001.
  • Honky Tonk Man. Directed by Clint Eastwood. Burbank, CA: Malpaso1982.
  • Jailhouse Rock. Directed by Richard Thorpe. Hollywood: MGM1957.
  • Masculin/feminin. Directed by Jean Luc Godard. Paris: Anouchka Films1966.
  • Nashville. Directed by Robert Altman. Hollywood: ABC Entertainment1975.
  • Ray. Directed by Taylor Hackford. Universal City, CA: Universal2004.
  • Tender Mercies. Directed by Bruce Beresford. London: EMI Films1983.
  • The Commitments. Directed by Alan Parker. Hollywood: Beacon Communications1991.
  • The Harder They Come. Directed by Perry Henzell. Kingston, Jamaica: International Films1972.
  • Treme, (various episodes). Santa Monica, CA: HBO2010.
  • Velvet Goldmine. Directed by Todd Haynes. London: Channel Four Films1998.
  • Walk Hard: the Dewey Cox Story. Directed by Jake Kasdan. Los Angeles: Apatow Productions2007.
  • Walk the Line. Directed by James Mangold. Century City, CA: Fox 20002005.
  • Young Man with a Horn. Directed by Michael Curtiz. Hollywood: Warner Brothers1950.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.