Towards an “Aesthetics of Weather”: Gustaf Fröding and Percy Bysshe Shelley’s “Hymn to Intellectual Beauty”

References

• Abrams, M. H. The Mirror and the Lamp: Romantic Theory and the Critical Tradition. Oxford: Oxford UP, 1953. Print.
   Google Scholar
• Anderson, Peter. “Overhearing the Hail: A Poetics of Weather for Patrick Cullinan.” English Academy Review 25.2 (2008): 53–64. Print.
   Google Scholar
• Bate, Jonathan. “Living with the Weather.” Studies in Romanticism 35.3 (1996): 431–47. Print.
   Web of Science ®Google Scholar
• Chamisso, Adelbert von. “Ungewitter.” Chamissos Werke. Leipzig: Bibliographisches Institut, 1907. 214. Print.
   Google Scholar
• Coleridge, Samuel Taylor. “Hymn Before Sun-Rise, in the Vale of Chamouni.” The Major Works. Ed. H. J. Jackson. Oxford: Oxford UP, 2008. 118–20. Print.
   Google Scholar
• Coleridge, Samuel Taylor. “Letter III: To Mr. Blackwood.” Blackwood’s Edinburgh Magazine 10 (Aug.–Dec. 1821): 253–55. Print.
   Google Scholar
• Davy, Humphry. Researches, Chemical and Philosophical, Chiefly Concerning Nitrous Oxide, or Dephlogisticated Nitrous Air, and Its Respiration. Bristol: Biggs and Cottle, 1800. Print.
   Google Scholar
• De Bolla, Peter. The Discourse of the Sublime: Readings in History, Aesthetics and the Subject. Oxford: Basil Blackwell, 1989. Print.
   Google Scholar
• Downs, Brian. “Anglo-Swedish Literary Relations 1867–1900: The Fortunes of English Literature in Sweden.” The Modern Language Review 65.4 (1970): 829–52. Print.
   Google Scholar
• Duffy, Cian. Introduction. A Description of the Valley of Chamouni, in Savoy. Romantic Circles. 2018. Pars. 1–27. Web. 7 Mar. 2019.
   Google Scholar
• Duffy, Cian. The Landscapes of the Sublime, 1700–1830: Classic Ground. Basingstoke: Palgrave Macmillan, 2013. Print.
   Google Scholar
• Duffy, Cian. Shelley and the Revolutionary Sublime. Cambridge: Cambridge UP, 2005. Print.
   Google Scholar
• Engell, James. The Creative Imagination: Enlightenment to Romanticism. Cambridge, MA: Harvard UP, 1981. Print.
   Google Scholar
• Ford, Thomas H. Wordsworth and the Poetics of Air. Cambridge: Cambridge UP, 2018. Print.
   Google Scholar
• Fröding, Gustaf. “En litten låt ôm vårn.” Fröding, Nya Dikter 31–33.
   Google Scholar
• Fröding, Gustaf. “Frågande svar och obesvarade frågor om ondt och godt.” Gralstänk. Stockholm: Albert Bonniers Förlag, 1898. 25–45. Print.
   Google Scholar
• Fröding, Gustaf. Gustaf Frödings Brev 1: 1877–1891. Stockholm: Albert Bonniers Förlag, 1981. Print.
   Google Scholar
• Fröding, Gustaf. Gustaf Frödings Brev 2: 1892–1910. Stockholm: Albert Bonniers Förlag, 1982. Print.
   Google Scholar
• Fröding, Gustaf. “Hymn till den själiska skönheten.” Fröding, Nya Dikter 161–65.
   Google Scholar
• Fröding, Gustaf. “Hymn till den själiska skönheten.” Nya Dikter. Birger Mörners Fröding-samling. Örebro Universitetsbibliotek. Manuscript.
   Google Scholar
• Fröding, Gustaf. “Hymn till den själiska skönheten.” Ord och bild. Ed. Karl Wåhlin. Stockholm: P. A. Norstedt och Söner, 1892. 23. Print.
   Google Scholar
• Fröding, Gustaf. “Höst.” Fröding, Nya Dikter 81–82.
   Google Scholar
• Fröding, Gustaf. “Höst: efter Nikolaus Lenau.” Fröding, Nya Dikter 153.
   Google Scholar
• Fröding, Gustaf. “Infruset.” Fröding, Nya Dikter 140–41.
   Google Scholar
• Fröding, Gustaf. “Naturalism och romantik.” Samlade Skrifter: Prosa I. Stockholm: Albert Bonniers Förlag, 1921. 12–31. Print.
   Google Scholar
• Fröding, Gustaf. Nya Dikter. 2nd ed. Stockholm: Albert Bonniers Förlag, 1894. Print.
   Google Scholar
• Fröding, Gustaf. “Oväder: efter Adelbert v. Chamisso.” Fröding, Nya Dikter 151–52.
   Google Scholar
• Fröding, Gustaf. Samlade Dikter II. Frödings Bibliotek, Uppsala Univ. Lib.
   Google Scholar
• Fröding, Gustaf. Samlade Skrifter: Nytt och gammalt; Gralstänk; Översättningar. Stockholm: Albert Bonniers Förlag, 1919. Print.
   Google Scholar
• Fröding, Gustaf. “Uppror.” Samlade Skrifter: Efterskörd. Stockholm: Albert Bonniers Förlag, 1921. 64. Print.
   Google Scholar
• Fröding, Gustaf. “Vackert Väder.” Guitarr och dragharmonika: Mixtum pictum på vers. Stockholm: Albert Bonniers Förlag, 1891. 16–19. Print.
   Google Scholar
• Fröding, Gustaf. “Vinternatt.” Guitarr och dragharmonika: Mixtum pictum på vers. Stockholm: Albert Bonniers Förlag, 1891. 116–18. Print.
   Google Scholar
• Fröding, Gustaf. “Vår.” Fröding, Nya Dikter 79–80.
   Google Scholar
• Gidal, Eric. “‘O Happy Earth! Reality of Heaven!’: Melancholy and Utopia in Romantic Climatology.” Journal for Early Modern Cultural Studies 8.2 (2008): 74–101. Print.
   Google Scholar
• Golinski, Jan. British Weather and the Climate of Enlightenment. Chicago: U of Chicago P, 2007. Print.
   Google Scholar
• Gottlieb, Evan. Romantic Realities: Speculative Realism and British Romanticism. Edinburgh: Edinburgh UP, 2016. Print.
   Google Scholar
• Hamilton, Paul. “Literature and Philosophy.” The Cambridge Companion to Shelley. Ed. Timothy Morton. Cambridge: Cambridge UP, 2006. 166–84. Print.
   Google Scholar
• Hamilton, Paul. Percy Bysshe Shelley. Tavistock: Northcote House Publishers Ltd, 2000. Print.
   Google Scholar
• Harris, Alexandra. Weatherland: Writers and Artists Under English Skies. London: Thames and Hudson Ltd, 2015. Print.
   Google Scholar
• Hildebrandsson, Hugo Hildebrand, Wladimir Köppen, and Georg von Neumayer. Wolken-Atlas. Atlas des Nuages. Cloud-Atlas. Moln-Atlas. Hamburg: Gustav W. Seitz Nachf., Besthorn Gebr., 1890. Print.
   Google Scholar
• Hogle, Jerrold E. Shelley’s Process: Radical Transference and the Development of His Major Works. New York: Oxford UP, 1988. Print.
   Google Scholar
• Holbach, Baron Paul Henri Thiry d’. La Système de la Nature. Amsterdam: M. M. Rey, 1770. Print.
   Google Scholar
• Hooke, Robert. Micrographia: Or, Some Physiological Descriptions of Minute Bodies Made by Magnifying Glasses: With Observations and Inquiries Thereupon. London: John Martyn, 1667. Print.
   Google Scholar
• Houze Jr., A. Robert, and Rebecca Houze. “Cloud and Weather Symbols in the Historic Language of Weather Map Plotters.” Bulletin of the American Meteorological Society 100.12 (2019): 423–43. Print.
   Web of Science ®Google Scholar
• “Inkonstant.” Ordbok över svenska språket, utgiven av Svenska Akademien. Vol. 12. Lund, 1933. N. pag. Print.
   Google Scholar
• Isomaki, Richard. “Interpretation and Value in ‘Mont Blanc’ and ‘Hymn to Intellectual Beauty.’” Studies in Romanticism 30.1 (1991): 57–69. Print.
   Web of Science ®Google Scholar
• Janković, Vladimir. Confronting the Climate: British Airs and the Making of Environmental Medicine. New York: Palgrave Macmillan, 2010. Print.
   Google Scholar
• Janković, Vladimir. “The End of Classical Meteorology, c. 1800.” The History of Meteoritics and Key Meteorite Collections: Fireballs, Falls and Finds. Ed. G. J. H. McCall, A. J. Bowden, and R. J. Howarth. London: Geological Society, 2006. 91–99. Print.
   Google Scholar
• Janković, Vladimir. Reading the Skies: A Cultural History of English Weather, 1650–1820. Chicago: Chicago UP, 2010. Print.
   Google Scholar
• Jonsson, Eva. Hospitaltidens lyrik: Textkritisk edition av Gustaf Frödings lyriska produktion dec. 1898 – mars 1905. Uppsala: Universitetstryckeriet, 2002. Print.
   Google Scholar
• Keach, William. Shelley’s Style. Abingdon: Routledge, 2016. Print.
   Google Scholar
• Knapp, John. “The Spirit of Classical Hymn in Shelley’s ‘Hymn to Intellectual Beauty.’” Style 33.1 (1999): 43–66. Print.
   Web of Science ®Google Scholar
• Leighton, Angela. Shelley and the Sublime: An Interpretation of the Major Poems. Cambridge: Cambridge UP, 1984. Print.
   Google Scholar
• Lenau, Nikolaus. “Herbstgefühl.” Werke in Einem Band, Mit Dem Essay ‘Der Katarakt’ von Reinhold Schneider. Ed. Egbert Hoehl. Hamburg: Hoffmann und Campe Verlag, 1966. 110. Print.
   Google Scholar
• Lindgren, Hellen. Letter to Karl Wåhlin. N.d. MS. Special Collections, Uppsala Univ. Lib.
   Google Scholar
• Lindgren, Hellen. “Percy Bysshe Shelley.” Ord och bild. Ed. Karl Wåhlin. Stockholm: P. A. Norstedt och Söner, 1892. 354–60. Print.
   Google Scholar
• McGann, Jerome. “Keats and the Historical Method in Literary Criticism.” MLN 94.5 (1979): 988–1032. Print.
   Web of Science ®Google Scholar
• McKusick, James C. Green Writing: Romanticism and Ecology. Basingstoke: Palgrave Macmillan, 2000. Print.
   Google Scholar
• Morton, Timothy. “Nature and Culture.” The Cambridge Companion to Shelley. Ed. T. Morton. Cambridge: Cambridge UP, 2006. 185–207. Print.
   Google Scholar
• Nordmark, Dag. Frödings Förvandlingar: Historien om ett Författarskap. Karlstad: Gustaf Fröding-sällskapet i samarbete med Bild, text och form, 2015. Print.
   Google Scholar
• Nordmark, Dag. Pajas, politiker och moralist: Om Gustaf Frödings Tidningstexter 1885–1896. Hedemora: Gidlunds Förlag, 2010. Print.
   Google Scholar
• Reed, Arden. Romantic Weather: The Climates of Coleridge and Baudelaire. Hanover, NH: Brown UP, 1983. Print.
   Google Scholar
• Rinman, Sven. “Kring en brevsamling och en årgång.” Ord och bild. Ed. S. Rinman. Stockholm: Wahlström & Widstrand, 1942. 9–24. Print.
   Google Scholar
• Rosenthal, Adam R. “The Gift of the Name in Shelley’s ‘Hymn to Intellectual Beauty.’” Studies in Romanticism 55.1 (2016): 29–50. Print.
   Web of Science ®Google Scholar
• Shelley, Percy Bysshe. “The Cloud.” Shelley, Percy Bysshe Shelley 420–22.
   Google Scholar
• Shelley, Percy Bysshe. A Defence of Poetry. Shelley, Percy Bysshe Shelley 651–78.
   Google Scholar
• Shelley, Percy Bysshe. “Hymn to Intellectual Beauty.” Shelley, Percy Bysshe Shelley 134–39.
   Google Scholar
• Shelley, Percy Bysshe. The Letters of Percy Bysshe Shelley. Ed. Frederick L. Jones. Vol. 1. Oxford: Clarendon P, 1964. Print.
   Google Scholar
• Shelley, Percy Bysshe. “Notes” to Queen Mab. Shelley, Percy Bysshe Shelley 83–105.
   Google Scholar
• Shelley, Percy Bysshe. “Ode to the West Wind.” Shelley, Percy Bysshe Shelley 398–401.
   Google Scholar
• Shelley, Percy Bysshe. “On Life.” Shelley, Percy Bysshe Shelley 619–23.
   Google Scholar
• Shelley, Percy Bysshe. “On Love.” Shelley, Percy Bysshe Shelley 618–19.
   Google Scholar
• Shelley, Percy Bysshe. Percy Bysshe Shelley Selected Poems and Prose. Ed. Jack Donovan and Cian Duffy. London: Penguin, 2016. Print.
   Google Scholar
• Varinelli, Valentina. “‘Accents of an Unknown Land’: Percy Bysshe Shelley’s Writings in Italian.” European Romantic Review 30.3 (2019): 255–63. Print.
   Web of Science ®Google Scholar
• Webb, Timothy. The Violet in the Crucible: Shelley and Translation. Oxford: Clarendon P, 1976. Print.
   Google Scholar
• Weinberg, Alan. “Reading Shelley and Adorno on ‘Life’: A Further Exploration.” European Romantic Review 30.5–6 (2019): 501–17. Print.
   Web of Science ®Google Scholar
• Westwood, Daniel. “Movement in ‘Hymn to Intellectual Beauty.’” The Wordsworth Circle 48.1 (2017): 32–39. Print.
   Web of Science ®Google Scholar
• Whickman, Paul. “The Poet as Sage, Sage as Poet in 1816: Aesthetics and Epistemology in Percy Bysshe Shelley’s ‘Hymn to Intellectual Beauty.’” Keats-Shelley Review 30.2 (2016): 142–54. Print.
   Web of Science ®Google Scholar