Florence as Muse: Byron and Shelley’s Tuscan Competition

References

• Barrell, John. “‘The Dangerous Goddess’: Masculinity, Prestige, and the Aesthetic in Early Eighteenth Century Britain.” Cultural Critique 12 (1989): 101–31. Print.
   Google Scholar
• Behrendt, Stephen C. Shelley and his Audiences. Lincoln: U of Nebraska P, 1989. Print.
   Google Scholar
• Bostetter, Edward E. “The Original Della Cruscans and the Florence Miscellany.” Huntington Library Quarterly 19.3 (1956): 277–300. Print.
   Google Scholar
• Bowers, Will. The Italian Idea: Anglo-Italian Radical Literary Culture, 1815–1823. Cambridge: Cambridge UP, 2020. Print.
   Google Scholar
• Braida, Antonella. Dante and the Romantics. Basingstoke: Palgrave, 2004. Print.
   Google Scholar
• Brand, C. P. Italy and the English Romantics: The Italianate Fashion in Early Nineteenth-Century England. Cambridge: Cambridge UP, 1957. Print.
   Google Scholar
• Brewer, William D. The Shelley-Byron Conversation. Gainesville, FL: UP of Florida, 1994. Print.
   Google Scholar
• Buzard, James. The Beaten Track: European Tourism, Literature, and the Ways to ‘Culture’, 1800–1918. Oxford: Oxford UP, 1993. Print.
   Google Scholar
• Byron, George Gordon, Lord. Byron’s Letters and Journals. Ed. Leslie A. Marchand. 13 vols. London: John Murray, 1973–94. Print.
   Google Scholar
• Byron, George Gordon, Lord. The Complete Poetical Works. Ed. Jerome J. McGann and Barry Weller. 7 vols. Oxford: Clarendon P, 1980–93. Print.
   Google Scholar
• Callaghan, Madeleine. “Shelley in Eternity.” Essays in Criticism 68.3 (2018): 308–26. Print.
   Web of Science ®Google Scholar
• Chard, Chloe. Pleasure and Guilt on the Grand Tour: Travel Writing and Imaginative Geography 1600–1830. Manchester: Manchester UP, 1999. Print.
   Google Scholar
• Chard, Chloe. Tristes Plaisirs: A Critical Reader of the Romantic Grand Tour. Manchester: Manchester UP, 2014. Print.
   Google Scholar
• Cheeke, Stephen. Byron and Place: History, Translation, Nostalgia. Basingstoke: Palgrave, 2003. Print.
   Google Scholar
• Chew, Samuel C. Jr. “Byron and Croly.” Modern Language Notes 28.7 (1913): 201–03. Print.
   Google Scholar
• Clairmont, Claire. The Clairmont Correspondence: Letters of Claire Clairmont, Charles Clairmont, and Fanny Imlay Godwin. Volume 1 1808–1834. Ed. Marion Kingston Stocking. Baltimore: The Johns Hopkins UP, 1995. Print.
   Google Scholar
• Cochran, Peter. “Byron and Shelley: Radical Incompatibles.” Romanticism on the Net 43 (2006): n. pag. Web. 8 June 2020.
   Google Scholar
• Colwell, Frederic S. “Shelley on Sculpture: The Uffizi Notes.” Keats-Shelley Journal 28 (1979): 59–77. Print.
   Google Scholar
• Cronin, Richard. Shelley’s Poetic Thoughts. London: Macmillan, 1981. Print.
   Google Scholar
• Dowling, Gregory. “The Lament for Italy: Byron, Dante and A. D. Hope.” Byron: Original and Translated. Ed. Innes Merabishvili and Naji Oueijan. Tbilisi: Ivane Javakhishvili Tbilisi State UP, 2017. 223–34. Print.
   Google Scholar
• Ellis, David. “Who Is King of the Cats? Byron, Shelley and the Friendship of Poets.” The Cambridge Quarterly 39.1 (2010): 61–75. Print.
   Web of Science ®Google Scholar
• Ellis, F. S., comp. A Lexical Concordance to the Poetical Works of Percy Bysshe Shelley. 1892. London: Johnson Reprint Co., 1967. Print.
   Google Scholar
• Ellis, Steve. Dante and English Poetry. Cambridge: Cambridge UP, 1983. Print.
   Google Scholar
• Goncourt, Edmond et Jules de. L'Italie d'hier: Notes de voyages, 1855–1856. Paris: G. Charpentier et E. Fasquelle, 1894. Print.
   Google Scholar
• Halmi, Nicholas. “The Literature of Italy in Byron’s Poems of 1817–20.” Byron and Italy. Ed. Alan Rawes and Diego Saglia. Manchester: Manchester UP, 2017. 23–43. Print.
   Google Scholar
• Hartman, Geoffrey. The Unmediated Vision, An Interpretation of Wordsworth, Hopkins, Rilke, and Valery. New York: Harbinger Books, 1966. Print.
   Google Scholar
• Heffernan, James A. W. Museum of Words: The Poetics of Ekphrasis from Homer to Ashbery. Chicago: U of Chicago P, 1993. Print.
   Google Scholar
• Hollander, John. The Gazer’s Spirit: Poems Speaking to Silent Works of Art. London and Chicago: U of Chicago P, 1995. Print.
   Google Scholar
• Hughes, Daniel. “Shelley, Leonardo, and the Monsters of Thought.” Criticism 12.3 (1970): 195–212. Print.
   Google Scholar
• Hume, Anna, trans. The Triumph of Love. Petrarca 6-26.
   Google Scholar
• Jacob, Christian. L’Empire des cartes: Approche théorique de la cartographie à travers l’histoire. Paris: Albin Michel, 1992. Print.
   Google Scholar
• Jacobs, Carol. “On Looking at Shelley’s Medusa.” Yale French Studies 69 (1985): 163–79. Print.
   Google Scholar
• Keach, William. Shelley’s Style. New York and London: Methuen, 1984. Print.
   Google Scholar
• Keats, John. John Keats: The Complete Poems. Ed. John Barnard. 3rd ed. Harmondsworth: Penguin, 1988. Print.
   Google Scholar
• Kirkham, Victoria. “The Parallel Lives of Dante and Virgil.” Dante Studies 110 (1992): 233–53. Print.
   Google Scholar
• MacCarthy, Fiona. Byron: Life and Legend. London: John Murray, 2002. Print.
   Google Scholar
• Marchand, Leslie A. Byron: A Biography. 3 vols. London: John Murray, 1957. Print.
   Google Scholar
• Marshall, L. E. “‘Words Are Things’: Byron and the Prophetic Efficacy of Language.” Studies in English Literature, 1500–1900 25 (1985): 801–22. Print.
   Web of Science ®Google Scholar
• Matthews, G. M. “On Shelley’s ‘The Triumph of Life.’” Studia Neophilologica 34.1 (1962): 104–34. Print.
   Google Scholar
• Maxwell, Catherine. “Shelley’s ‘Medusa’: The Sixth Stanza.” Notes and Queries 36.2 (1989): 173–74. Print.
   Web of Science ®Google Scholar
• McCue, Maureen. British Romanticism and the Reception of Italian Old Master Art, 1793–1840. Farnham: Ashgate, 2014. Print.
   Google Scholar
• McGann, Jerome J. “The Beauty of the Medusa.” Studies in Romanticism 11 (1972): 3–25. Print.
   Google Scholar
• Medwin, Thomas. Journal of the Conversations of Lord Byron. London: Colburn, 1824. Print.
   Google Scholar
• Mitchell, W. J. T. Picture Theory. Chicago: U of Chicago P, 1994. Print.
   Google Scholar
• Newey, Vincent. Centring the Self: Subjectivity, Society and Reading from Thomas Gray to Thomas Hardy. Aldershot: Scolar P, 1995. Print.
   Google Scholar
• O’Neill, Michael. “‘The Fixed and the Fluid’: Identity in Byron and Shelley.” Byron Journal 36.2 (2008): 105–16. Print.
   Google Scholar
• O’Neill, Michael. The Human Mind’s Imaginings: Conflict and Achievement in Shelley’s Poetry. Oxford: Clarendon P, 1989. Print.
   Google Scholar
• O’Neill, Michael. “Realms Without a Name: Shelley and Italy’s Intenser Day.” Dante and Italy in British Romanticism. Ed. Frederick Burwick and Paul Douglass. New York: Palgrave, 2011. 77–91. Print.
   Google Scholar
• O’Neill, Michael. Shelleyan Reimaginings and Influence: New Relations. Oxford: Oxford UP, 2019. Print.
   Google Scholar
• Petrarca, Francesco (Petrarch). Petrarch in English. London: Penguin, 2005. Print.
   Google Scholar
• Pite, Ralph. The Circle of Our Vision: Dante’s Presence in English Romantic Poetry. Oxford: Oxford UP, 1994. Print.
   Google Scholar
• Praz, Mario. The Romantic Agony. London: Oxford UP, 1933. Print.
   Google Scholar
• Reiman, Donald H. “Byron in Italy: The Return of Augustus.” Byron: Augustan and Romantic. Ed. Andrew Rutherford. Basingstoke: Macmillan, 1990. 181–98. Print.
   Google Scholar
• Reiman, Donald H. Shelley’s “The Triumph of Life”: A Critical Study. Urbana: U of Illinois P, 1965. Print. Illinois Studies in Language and Literature 55.
   Google Scholar
• Schlutz, Alexander M. “Recovering the Beauty of Medusa.” Studies in Romanticism 54.3 (2015): 329–53. Print.
   Web of Science ®Google Scholar
• Schoina, Maria. Romantic ‘Anglo-Italians’: Configurations of Identity in Byron, the Shelleys, and the Pisan Circle. Farnham: Ashgate, 2009. Print.
   Google Scholar
• Scott, Grant F. “Shelley, Medusa, and the Perils of Ekphrasis.” The Romantic Imagination: Literature and Art in England and Germany. Ed. Frederick Burwick and Jürgen Klein. Amsterdam: Rodopi, 1996. 315–32. Print.
   Google Scholar
• Scrivener, Michael. The Cosmopolitan Ideal. London: Pickering & Chatto, 2007. Print.
   Google Scholar
• Shelley, Mary Wollstonecraft. “The English in Italy.” The Mary Shelley Reader. Ed. Betty T. Bennett and Charles E. Robinson. New York: Oxford UP, 1990. Print.
   Google Scholar
• Shelley, Mary Wollstonecraft. The Journals of Mary Wollstonecraft Shelley, 1814–1844, vol. 1: 1814–1822. Ed. Paula R. Feldman and Diana Scott-Kilvert. Oxford: Clarendon P, 1987. Print.
   Google Scholar
• Shelley, Mary Wollstonecraft. The Letters of Mary Wollstonecraft Shelley, 1797–1851. Ed. Betty T. Bennett. 3 vols. Baltimore: Johns Hopkins UP, 1980–88. Print.
   Google Scholar
• Shelley, Mary Wollstonecraft. Valperga: Or, The Life and Adventures of Castruccio, Prince of Lucca. Ed. and intro. Stuart Curran. Oxford: Oxford UP, 1997. Print.
   Google Scholar
• Shelley, Percy Bysshe. The Letters of Percy Bysshe Shelley. Ed. Frederick L. Jones. 2 vols. Oxford: Clarendon P, 1964. Print.
   Google Scholar
• Shelley, Percy Bysshe. Percy Bysshe Shelley: The Major Works. Ed. Zachary Leader and Michael O’Neill. Oxford: Oxford UP, 2003. Print.
   Google Scholar
• Shelley, Percy Bysshe. The Poems of Shelley: 1817–1819. Ed. Kelvin Everest and Geoffrey Matthews; contrib. ed. Jack Donovan, Ralph Pite, and Michael Rossington. Harlow: Longman, 2000. Print.
   Google Scholar
• Shelley, Percy Bysshe. The Poems of Shelley: Volume 3: 1819–1820. Ed. Jack Donovan, Cian Duffy, Kelvin Everest, and Michael Rossington. Harlow: Longman, 2011. Print.
   Google Scholar
• Shelley, Percy Bysshe. The Poetical Works of Percy Bysshe Shelley. Ed. William Michael Rossetti. 2 vols. London: E. Moxon, 1870. Print.
   Google Scholar
• Sidney, Mary, trans. The Triumph of Death. Petrarca 32-42.
   Google Scholar
• Sidney, Philip. The Defence of Poesy, Sidney’s ‘The Defence of Poesy’ and Selected Renaissance Literary Criticism. Ed. with intro. and notes Gavin Alexander. London: Penguin, 2004. Print.
   Google Scholar
• Stabler, Jane. The Artistry of Exile: Romantic and Victorian Writers in Italy. Oxford: Oxford UP, 2013. Print.
   Google Scholar
• Stawell, F. Melian. “Shelley’s Triumph of Life.” Essays and Studies by Members of the English Association 5 (1914): 104–31. Print.
   Google Scholar
• Stock, Paul. The Shelley-Byron Circle and the Idea of Europe. New York: Palgrave, 2010. Print.
   Google Scholar
• Sweet, Rosemary. “Florence: A Home from Home.” Cities and the Grand Tour: The British in Italy, c.1690–1820. Cambridge: Cambridge UP, 2012. 65–98. Print.
   Google Scholar
• Taylor, Beverley. “Byron’s Use of Dante in The Prophecy of Dante.” Keats-Shelley Journal 28 (1979): 102–19. Print.
   Google Scholar
• Thomas, Sophie. “Vital Matter(s): Shelley, Herder, and Sculpture.” European Romantic Review 29.3 (2018): 377–87. Print.
   Web of Science ®Google Scholar
• Weinberg, Alan M. Shelley’s Italian Experience. London: Palgrave Macmillan, 1991. Print.
   Google Scholar
• Weinberg, Alan M. “Shelley’s Italian Verse Fragments: Exploring the Notebook Drafts.” The Neglected Shelley. Ed. Weinberg and Timothy Webb. Farnham: Ashgate, 2015. 281–306. Print.
   Google Scholar
• Wood, Gillen d’Arcy. Tambora: The Eruption That Changed the World. Princeton: Princeton UP, 2014. Print.
   Google Scholar
• Wordsworth, William. William Wordsworth: The Major Works. Ed. Stephen Gill. Oxford: Oxford UP, 2011. Print. Oxford World’s Classics.
   Google Scholar