https://orcid.org/0000-0002-3779-6925
Filmography
- Gelecek Uzun Sürer [Future Lasts Forever]. 2011. Dir. Özcan Alper, Nar Film.
- Giraffe. 2019. Dir. Anna Sofie Hartmann, Komplizen Film.
References
- Adelson, L. 2005. The Turkish turn in contemporary German literature: Toward a new critical grammar of migration. New York: Palgrave Macmillan.
- Agamben, G. 1999/2002. Remnants of Auschwitz: The witness and the archive. Translated by D. Heller-Roazen. New York: Zone Books.
- Akser, M. 2018. “Turkish independent cinema: Between bourgeois auteurism and political radicalism.” In Independent filmmaking around the globe, edited by D. Baltruschat and M.P. Erickson, 131–48. Toronto: University of Toronto Press.
- Arendt, H. 1951/1968. The origins of totalitarianism. Orlando, FL: Harcourt.
- Azoulay, A. 2008. The civil contract of photography. New York: Zone Books.
- Barthes, R. 1977/1978. A lover’s discourse. Translated by R. Howard. New York: Hill and Wang.
- Breger, C. 2020. Making worlds: Affect and collectivity in contemporary European cinema. New York: Columbia University Press.
- Cormican, M., and J.M. William, eds. 2021. The tender gaze: Compassionate encounters on the German screen, page, and stage. Rochester, NY: Camden House.
- Culbert, J.L. 2016. “A counter-archival sensibility: Picking up Hannah Arendt’s ‘Reflections on Little Rock’.” In Law, memory, violence: Uncovering the counter-archive, edited by S. Motha and H. van Rijswijk, 16–33. Oxon, OX: Routledge.
- Derrida, J. 2000/2005. On touching––Jean-Luc Nancy. Translated by C. Irizarry. Stanford: Stanford University Press.
- Edemen, F. 2020. Multidirectional memory of Turkey through cinematic narrative: Gelecek Uzun Sürer (Future Lasts Forever, Özcan Alper, 2011). MA thesis, Jagiellonian University
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- Güvenç, M. 2011. “Constructing narratives of Kurdish nationalism in the urban space of Diybakır, Turkey.” Tdsr 23(1): 25–40. http://www.jstor.org/stable/41758881
- Hartmann, A.S. 2020. Anna Sofie Hartmann introduces her film ‘Giraffe’. Notebook/MUBI. https://mubi.com/notebook/posts/anna-sofie-hartmann-introduces-her-film-giraffe
- Kaya, D.G. 2015. Coming to terms with the past: Rewriting history through a therapeutic public discourse in Turkey. International Journal of Middle East Studies 47, no. 4: 681–700. doi:10.1017/S0020743815000938.
- Koçer, Z., and M.O. Göztepe. 2017. Representing ethnicity in cinema during Turkey’s Kurdish initiative: A critical analysis of My Marlon and Brando (Karabey, 2008), The Storm (Öz, 2008) and Future Lasts Forever (Alper, 2011). Alphaville: Journal of Film and Screen Media 13: 54–68. doi:10.33178/alpha.
- Landry, O. 2019. Movement and performance in Berlin School. Bloomington: Indiana University Press.
- Nancy, J.-L. 1986/1991. The inoperative community. Translated by P. Connor, L. Garbus, M. Holland, and S. Sawhney. Minneapolis: University of Minnesota.
- Nancy, J.-L. 2001. L’Evidence du film: Abbas Kiarostami. Brussels: Gevaert.
- Nancy, J.-L. 2002/2007. Listening. Translated by C. Mandell. New York: Fordham University Press.
- Nancy, J.-L. 2003/2008. Noli me tangere: On the raising of the body. Translated by S. Clift, P.-A. Brault, and M. Naas. New York: Fordham University Press.
- Nancy, J.-L. 2004/2005. The ground of the image. New York: Fordham University Press.
- Nora, P. 1989. Between memory and history: Les lieux de mémoire. Translated by M. Roudebush. Representations 26: 7–24. doi:10.2307/2928520.
- Paszkiewicz, K. 2020. Touch as proximate distance: Post-phenomenological ethics in the cinema of Isabel Coixet. Film-Philosophy 24, no. 1: 22–45. doi:10.3366/film.2020.0127.
- Paveck, H. 2021. Sounds of displacement in Anna Sofie Hartmann’s Giraffe (2019). Transnational Screens 12, no. 1: 79–82. doi:10.1080/25785273.2021.1883929.
- Rothberg, M. 2009. Multidirectional memory: Remembering the Holocaust in the age of decolonization. Stanford: Stanford University Press.
- Schafer, R.M. 1977/1994. The soundscape: Our sonic environment and the tuning of the world. Rochester, NY: Destiny Books.
- Solnit, R. 2005. A field guide to getting lost. London: Penguin Books.
- Stehle, M., and B. Weber. 2020. Precarious intimacies: The politics of touch in contemporary Western cinema. Evanston, IL: Northwestern University Press.