195
Views
0
CrossRef citations to date
0
Altmetric
Part Two. Criticism.

Falstaff’s ‘Play Extempore’: Illegal Inn Performances and Local Politics in 1 Henry IV

ORCID Icon

Bibliography

  • Acts of the Privy Council, 1591-1592, edited by John Roche Desant. Vol. 22. London: Her Majesty’s Stationery Office, 1901.
  • Barber, C. L. Shakespeare’s Festive Comedy: A Study of Dramatic Form and Its Relation to Social Custom. Princeton: Princeton UP, 2012.
  • Bentley, Gerald Eades. The Profession of Player in Shakespeare’s Time, 1590-1642. Princeton: Princeton UP, 1984.
  • Berry, Herbert. ‘The Four Inns’. In English Professional Theatre, edited by Glynne Wickham, Herbert Berry, and William Ingram, 295–305. Cambridge: Cambridge UP, 2000.
  • Boswell, James. Boswell’s Life of Johnson. Vol. 5, edited by George Birkbeck Hill. Oxford: Oxford UP, 1934.
  • Brownstein, O. L. ‘A Record of London Inn-Playhouses from c. 1565-1590’. Shakespeare Quarterly 22, no. 1 (1971): 17–24.
  • Bryant, Joseph Allen. ‘Shakespeare's Falstaff and the Mantle of Dick Tarlton’. Studies in Philology 51, no. 2 (1954): 149–162.
  • Chambers, E. K. The Elizabethan Stage. Vol. 4. Oxford: Clarendon Press, 1923.
  • Clark, Peter. The English Alehouse: A Social History, 1200-1830. New York: Longman, 1983.
  • Davison, Peter. ‘Commerce and Patronage: The Lord Chamberlain’s Men’s Tour of 1597’. In Shakespeare Performed: Essays in Honor of R.A. Foakes, edited by Grace Ioppolo, 56–71. Newark: University of Delaware, 2000.
  • Dobson, Michael. The Making of the National Poet: Shakespeare, Adaptation and Authorship, 1660-1769. Oxford: Oxford UP, 1992.
  • Dunnum, Eric. Unruly Audiences and the Theater of Control in Early Modern London. London: Routledge, 2020.
  • Earnshaw, Steven. The Pub in Literature: England’s Altered State. Manchester: Manchester UP, 2000.
  • Egan, Gabriel. ‘The Theatre in Shoreditch, 1576-1599’. In The Oxford Handbook of Early Modern Theatre, edited by Richard Dutton, 167–185. Oxford: Oxford UP, 2011.
  • Erne, Lukas. Shakespeare as Literary Dramatist. Cambridge: Cambridge UP, 2013.
  • Everitt, Alan. ‘The English Urban Inn 1560-1760’. In Perspectives in English Urban History, edited by Alan Everitt, 91–137. London: Palgrave, 1973.
  • Faber, M. D. ‘Falstaff Behind the Arras’. American Imago 27, no. 3 (1970): 197–225.
  • Fehrenbach, Robert. ‘When Lord Cobham and Edmund Tilney “Were Att Odds”: Oldcastle, Falstaff, and the Date of 1 Henry IV’. Shakespeare Studies 18 (1986): 87.
  • Fitter, Chris. ‘“The Devil Take Such Cozeners!” Radical Shakespeare in 1 Henry IV’. In 1 Henry IV: A Critical Guide, edited by Stephen Longstaffe, 99–121. London: Continuum, 2011.
  • Forward, Geoffrey G. ‘What "Maior" is Falstaff Denying?’ Shakespeare Quarterly 41, no. 3 (1990): 336–43.
  • Gayton, Edward. Pleasant notes upon Don Quixot. London, 1654. Wing G415, EBBO, Harvard University Libraries.
  • Gibson, James. ‘Shakespeare and the Cobham Controversy: The Oldcastle/Falstaff and Brooke/Broome Revisions’. Medieval & Renaissance Drama in England 25 (2012): 94–132.
  • Goldsmith, Oliver. ‘A Reverie at the Boar’s Head Tavern’. In The Miscellaneous Works of Oliver Goldsmith. Vol. 1, edited by James Prior, 189-204. New York: Derby and Jackson, 1589.
  • Gurr, Andrew. ‘Henry Carey's Peculiar Letter’. Shakespeare Quarterly 56, no. 1 (2005): 51–75.
  • Gurr, Andrew. The Shakespeare Company, 1594-1642. Cambridge: Cambridge UP, 2004.
  • Haliwood, Mark. Alehouses and Good Fellowship in Early Modern England. Woodbridge: Boydell Press, 2014.
  • Halliwell, James O. The Works of William Shakespeare. Vol. 9. London: Adlard, 1859.
  • Hapgood, Robert. ‘Falstaff's Vocation’. Shakespeare Quarterly 16, no. 1 (1965): 91–98.
  • Henslowe’s Diary, edited by R.A. Foakes. Cambridge: Cambridge UP, 1961.
  • Howard, Jean. ‘Introduction to 1 Henry IV’. In The Norton Shakespeare, edited by Stephen Greenblatt et al., 3rd ed., 1165-1173. New York: Norton, 2016.
  • Irving, Washington. The Sketchbook of Geoffrey Crayon, Gent., edited by Susan Manning, 102-111. Oxford: Oxford World Classics, 2009.
  • Jensen, Phebe. Religion and Revelry in Shakespeare’s Festive World. Cambridge: Cambridge UP, 2009.
  • Kathman, David. ‘Inn-Yard Playhouses’. In The Oxford Handbook of Early Modern Theatre, edited by Richard Dutton, 154-167. Oxford: Oxford UP, 2011.
  • Kathman, David. ‘London Inns as Playing Venues for the Queen’s Men’. In Locating the Queen’s Men, edited by Helen Ostovich, Holger Schott Syme, and Andrew Griffin, 65-75. London: Routledge, 2016.
  • Keenan, Siobhan. Travelling Players in Shakespeare’s England. New York: Palgrave, 2002.
  • Knutson, Roslyn Lander. The Repertory of Shakespeare’s Company, 1594-1597. Fayetteville: University of Arkansas Press, 1991.
  • Loughnane, Rory. ‘Shakespeare and the Idea of Early Authorship’. In Early Shakespeare, 1588-1594, edited by Rory Loughnane and Andrew J. Power, 21-53. Cambridge: Cambridge UP, 2020.
  • MacLean, Sally-Beth, and Alan Somerset. Patrons and Performance, REED and UTL Digital Scholarship, https://library2.utm.utoronto.ca/otra/reed/team.
  • Manley, Lawrence. ‘Why Did London Inns Function as Theaters?’ Huntington Library Quarterly 71, no. 1 (2008): 181–97.
  • McMillin, Scott, and Sally-Beth MacLean. The Queen’s Men and Their Plays. Cambridge: Cambridge UP, 1998.
  • McMillin, Scott. Henry IV Part 1. Manchester: Manchester UP, 1991.
  • Menzer, Paul. ‘The Tragedians of the City? Q1 Hamlet and the Settlements of the 1590s’. Shakespeare Quarterly 57, no. 2 (2006): 162–182.
  • Palmer, Barbara D. ‘Early Modern Mobility: Players, Payments, and Patrons’. Shakespeare Quarterly 56, no. 3 (2005): 272.
  • Palmer, Barbara D. ‘On the Road and on the Wagon’. In Locating the Queen’s Men, 1598-1603: Material Practices and Conditions of Playing, edited by Helen Ostovich, Holger Schott Syme, and Andrew Griffin, 27–40. London: Routledge, 2009.
  • Payne, Craig. ‘Shakespeare's Henry IV, Part 2’. The Explicator 54, no. 2 (1996): 67–70.
  • Pope, Alexander, and Rowe Nicholas. The Works of William Shakespeare. London, 1725.
  • Preiss, Richard. Clowning and Authorship in Early Modern England. Cambridge: Cambridge UP, 2014.
  • Rackin, Phyllis. Stages of History: Shakespeare's English Chronicles. London: Routledge, 1991.
  • REED, Kent, edited by James M. Gibson. Toronto: Toronto UP, 2002.
  • REED, Sussex, edited by Camron Lewis. Toronto: Toronto UP, 2000.
  • Roberts-Smith, Jennifer. ‘The Red Lion and the White Horse: Inns Used by Patronized Performers in Norwich, 1583-1624’. Early Theatre 10, no. 1 (2007): 109–144.
  • Ruiter, David. Shakespeare’s Festive History: Feasting, Festivity, Fasting, and Lent in the Second Henriad. New York: Ashgate, 2003.
  • Shakespeare, William. King Henry IV Part 1, edited by David Scott Kastan. London: Arden, 2002.
  • Shakespeare, William. King Henry IV Part 2, edited by James C. Bulman. London: Arden, 2016.
  • Stow, John. Survey of London, edited by H.B. Wheatley. London: Dent, 1970.
  • Somerset, Alan. ‘“How Chances it They Travel?”’ Provincial Touring, Playing Places, and the King’s Men’. Shakespeare Survey (1994): 54–55.
  • Streitberger, W. R. Master of Revels and Elizabeth I’s Court Theatre. Oxford: Oxford UP, 2016.
  • Templeman, Sally. ‘“What’s This? Mutton?”: Food, Bodies, and Inn-Yard Performance Spaces in Early Shakespearean Drama’. Shakespeare Bulletin 31, no. 1 (2013): 79–94.
  • Tudor Constitutional Documents, A.D. 1485-1603, edited by J.R. Tanner. Cambridge: Cambridge UP, 1922.
  • The Agas Map of Early Modern London. Maps of Early Modern London. https://mapoflondon.uvic.ca/agas.htm.
  • Theobald, Lewis. The Works of William Shakespeare. Vol. 5. London, 1733.
  • Wallace, Charles William. The First London Theatre: Materials for a History. London: Blom, 1969.
  • Whitney, Charles. Early Responses to Renaissance Drama. Cambridge: Cambridge UP, 2006.
  • Wickham, Glynne. Early English Stages 1300 to 1660. Vol. 1 Part 1. New York: Colombia UP, 1963.
  • Wickham, Glynne. ‘The Privy Council Order of 1597 for the Destruction of all London Theatres’. The Elizabethan Theatre 2 (1970): 21–43.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.