Fulfilling his debt to civilization: American filmmaker Harold Marvin Shaw, British wartime propaganda, and the anti-Bolshevik The Land of Mystery, 1914–1920

References

• Andrew, Christopher. 2010. The Defence of the Realm: The Authorized History of MI5. London: Penguin Books.
   Google Scholar
• Bamford, Kenton. 1997. Distorted Images: British National Identity and Film in the 1920s. London: Routledge.
   Google Scholar
• Bedells, Phyllis. 1954. My Dancing Days. London: Phoenix House.
   Google Scholar
• Berry, Dave, and Simon Horrocks, eds. 1998. David Lloyd George: The Movie Mystery. Cardiff: University of Wales Press.
   Google Scholar
• Borovsky, Victor. 2001. A Triptych from the Russian Theatre: An Artistic Biography of the Komissarzhevskys. London: Christopher Hurst.
   Google Scholar
• Bottomore, Stephen. 2003. “‘Weather Cloudy—No sun’—Filming in Britain for the Edison Company in 1913.” Film History 15 (4): 403–435. doi:10.2979/FIL.2003.15.4.403.
   Google Scholar
• Brownlow, Kevin. 1979. The War, the West, and the Wilderness [A Celebration of the Great Silent-Movie Makers Who First Ventured Out of the Studios into Dangerous and Distant Places, to Record History on Film]. New York: Alfred A. Knopf.
   Google Scholar
• Brownlow, Kevin. 1990. Behind the Mask of Innocence [Sex, Violence, Prejudice, Crime: Films of Social Conscience in the Silent Era]. New York: Alfred Knopf.
   Google Scholar
• Burrows, Jon. 2017. The British Cinema Boom. Basingstoke: Palgrave Macmillan.
   Google Scholar
• Butchard, Dorothy. 2015. “Flowers and Stalin: H.G. Wells in Russia.” on Russia Beyond,8 May 2015 <rbth.com>
   Google Scholar
• Carter, Huntly. 1920. “About the Theatre in London.” Theatre Arts Magazine 4 (3): 217–219.
   Google Scholar
• David, Mihaela. 2017. “The Writers’ Role in the British Propaganda Campaign During the First World War.” Romanian Journal of History and International Studies 4 (3): 31–54.
   Google Scholar
• East, John M. 1967. Neath the Mask: The Story of the East Family. London: Allen & Unwin.
   Google Scholar
• Gifford, Denis. 2000. The British Film Catalogue Volume 1, 3rd Edition: Fiction Film, 1895–1994. London & Chicago: Fitzroy Dearborn.
   Google Scholar
• Hiley, Nicholas P. 1985. “The British Army Film, You!, and For the Empire: Reconstructed Propaganda Films, 1914-1916.” Historical Journal of Film, Radio and Television 5 (2): 165–187. doi:10.1080/01439688500260171.
   Web of Science ®Google Scholar
• Hiley, Nicholas P. 1986. “Counter-Espionage and Security in Great Britain During the First World War.” English Historical Review 101 (44): 635–670. doi:10.1093/ehr/CI.CCCC.635.
   Google Scholar
• Low, Rachael. 1971. The History of British Film [Volume 4] 1918–1929. London: George Allen & Unwin.
   Google Scholar
• McKernan, Luke. 2013. Charles Urban: Pioneering the Non-Fiction Film in Britain and America, 1887–1925. Exeter: University of Exeter Press.
   Google Scholar
• Monger, David. 2012. Patriotism and Propaganda in First World War Britain: The National War Aims Committee and Civilian Morale. Liverpool: Liverpool University Press.
   Google Scholar
• Parsons, Neil. 2013. “Nation-Building Movies Made in South Africa (1916–18): I.W. Schlesinger, Harold Shaw, and the Lingering Ambiguities of South African Union.” Journal of Southern African Studies 39 (3): 641–660. doi:10.1080/03057070.2013.827003.
   Web of Science ®Google Scholar
• Parsons, Neil. 2018. Black and White Bioscope: Making Movies in Africa 1899–1925. Bristol: Intellect.
   Google Scholar
• Pronay, Nicholas. 1982. “The Political Censorship of Films in Britain Between the Wars.” In Propaganda, Politics and Film 1918–1945, edited by Nicholas Pronay and D.W. Spring, 98–125. London & Basingstoke: Macmillan Press.
   Google Scholar
• Reeves, Nicholas. 1986. Official British Propaganda During the First World War. London: Croom Helm & Imperial War Museum.
   Google Scholar
• Reeves, Nicholas. 1999. “Official British Film Propaganda.” In The First World War and Popular Cinema 1914 to the Present, edited by Michael Paris, 27–50. Edinburgh: Edinburgh University Press.
   Google Scholar
• Richards, Jeffrey. 1981. “The British Board of Film Censors and Content Control in the 1930s: Images of Britain.” Historical Journal of Film, Radio and Television 1 (2): 95–116. doi:10.1080/01439688100260101.
   Web of Science ®Google Scholar
• Robertson, James B. 1985. The British Board of Film Censors: Film Censorship in Britain, 1896–1950. London: Croom Helm.
   Google Scholar
• Sanders, M.L. 1975. “Wellington House and British Propaganda During the First World War.” The Historical Journal 18 (1): 119–146. doi:10.1017/S0018246X00008700.
   Web of Science ®Google Scholar
• Shail, Andrew. 2008. “The Motion Picture Story Magazine and the Origins of Popular British Film Culture.” Film History 20 (2): 181–197. doi:10.2979/FIL.2008.20.2.181.
   Google Scholar
• Shaw, Harold Marvin. 1916. “Ten-Minute Talks No. XII—Harold Shaw.” Stage and Cinema 2 (42) :6.
   Google Scholar
• Shaw, Tony. 2002. “Early Warnings of the Red Peril: A Pre-History of British Cold War Cinema, 1917–1939.” Film History 14 (3/4): 354–368. doi:10.2979/FIL.2002.14.3-4.354.
   Google Scholar
• Stafford, David. 2000. Churchill and the Secret Service. London: John Murray.
   Google Scholar
• Stokes, Melvyn. 2007. D.W. Griffith’s the Birth of a Nation: A History of “The Most Controversial Motion Picture of All Time”. Oxford: Oxford University Press.
   Google Scholar
• Thomson, Basil. 1922. Queer People. London: Hodder & Stoughton. Republished 2015 as Odd People: Hunting Spies in the First World War. London: Biteback.
   Google Scholar
• Thomson, Basil. 1939. The Scene Changes. London: Collins.
   Google Scholar
• Urbanora [Luke McKernan]. 2008. “Harold Shaw and the Voortrekkers.” Urbanora’s The Bioscope. Accessed January 18 2024. https://thebioscope.net/2008/11/24/
   Google Scholar
• Urbanora [Luke McKernan]. 2009. “‘The Land of Mystery’, ‘Wanted by the BFI’, &‘Footnotes to the Festival’.” Urbanora’s The Bioscope. Accessed 21February 2024. https://bioscopic.wordpress.com/2009/01/06/the-land-of-mystery/
   Google Scholar
• Wilson, Ray, and Ian Adams. 2015. Special Branch: A History 1883–2006. London: Biteback.
   Google Scholar