References
- “‘Chang’ eui gamdok: Yeon Sang-ho wa eui inteobyu”. 2012. Movieweek, no. 551, October 29.
- Choi, Jeong Yoon. 2017. “Jakpum ‘doaeji eui wang’ gwa ‘saibi’ eui bunseok eul tonghae bon Yeon Sang-ho aenimeisyeon eui imiji.” Hanguk gicho johyeonhak yeongu 18 (2).
- “‘Doaeji eui wang’ Yeon Sang-ho gamdok GV seukechi”. 2011. Seoul Art Cinema, December 18. Accessed July 8, 2023. http://trafic.tistory.com/648.
- Heo, Mun Yeong. 2013. “Dandanhan seosa sok burwanjeonhan gamyeon,” Cine 21, December 19. Accessed July 8, 2023. http://www.cine21.com/news/view/?mag_id=75272.
- Imamura, Tahei. 1937. “Monogatari keishiki kara kiroku keishiki e no hatten.” Eiga Shūdan 3 (11).
- Imamura, Tahei. 1991. “Manga eiga-ron,” (1941) Imamura Tahei eizō hyōron, vol. 5. Tokyo: Yumani Shobō.
- Jay, Martin. 1993. Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought. Berkeley: University of California Press.
- Kwak, Yung Bin. 2014. “Yeondae neun (bul) ganeung hada: Yeon Sang-ho aenimeisyeon eui ‘badak eopneun pyomyeon,” Manhwa aenimeisiyeon yeongu. No. 37, December.
- Kwon, Jae Woong, and Gwang Woo Noh. 2021. “Yeon Sang-ho gamdok e gwanhan gungnae yeongu eui gyeonghyang bunseok.” Aenimeisiyeon yeongu 55: 16-3.
- Lamarre, Thomas. 2009. The Anime Machine: A Media Theory of Animation. Minneapolis: University of Minnesota Press.
- Lamarre, Thomas. 2014. “Cartoon Film Theory: Imamura Tahei on Animation, Documentary and Photography.” In Animating Film Theory, edited by Karen Beckman. Durham: Duke University Press.
- Lee, Nam. 2020. The Films of Bong Joon Ho. New Brunswick, NJ: Rutgers University Press.
- Manovich, Lev. 2001. The Language of New Media. Cambridge, MA: MIT Press.
- Ōtsuka, Eiji. 2009. Atomu no meidai: Tezuka Osamu to sengo manga no shudai. Tokyo: Kadokawa Shoten.
- Ōtsuka, Eiji. 2013. Mikki no shoshiki: sengo manga no senjika kigen. Tokyo: Kadokawa Shoten.
- Park, Sun. 2018. “Animation Style as Inner Emigration: Expressionism in Yon Sang-ho’s The King of Pigs.” Hyeondae yeonghwa yeongu 32.
- Rodowick, D. N. 2007. The Virtual Life of Film. Cambridge, MA: Harvard University Press.
- Seo, Dong-soo. 2013. “Haggyo raneun simulacre-wa pongnyeok eui sistem: yeonghwa ‘doaeji eui wang’ eul jungsim euro.” Donghwa wa beonyeok 25.
- Seo, Soo Jeong. 2014. “‘Taja’ deul eui janhoksa: Yeon Sang-ho aenimeisyeon.” Manhwa aenimeisyeon yeongu, no. 37, December.
- Steinberg, Marc. 2014. “Realism in the Animation Media Environment: Animation Theory from Japan.” In Animating Film Theory, edited by Karen Beckman. Durham: Duke University Press.
- Takahata, Isao. 1999. Eiga o tsukurinagara kangaeta koto, vol. 2, 1991-1999. Tokyo: Tokuma Shoten.
- Tezuka, Osamu. 1992. Tezuka Osamu daizen, vol. 1. Tokyo: Magazin Haus.
- Yi, Jae-seong. 2012. “Doaeji eui wang: haggyo neun sahoe eui chuksopan iraneun bulpyeonhan jinsil,” Uri gyoyuk, March.
- Yoshinami, Akira. 2016. “Gensō (Fantasy), genjitsushugi (Realism), hishō bamen (Sailing Scene): Takahata Isao sakuhin dokkai shiron.” Kinki daigaku daigakuin sōgō bunka kenkyūka kiyō: Konton 3.