References
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- Bogad, L. M. 2010. “Carnivals against Capital: Radical Clowning and the Global Justice Movement.” Social Identities 16 (4): 537–557. doi:10.1080/13504630.2010.498242
- Bogad, L. M. 2020. “Antiauthoritarian Clowning: A Tactical Review.” HowlRound Theatre Commons, November 12. https://howlround.com/antiauthoritarian-clowning.
- Butler, Judith. 2004. Undoing Gender. New York: Routledge.
- Butler, Judith. 2011. Bodies That Matter: On the Discursive Limits of “Sex”. New York: Routledge.
- Coburn, Veronica, and Sue Morrison. 2013. Clown through Mask: The Pioneering Work of Richard Pochinko as Practised by Sue Morrison. Chicago, IL: Intellect.
- Crick, Olly. 2017. “The Stations of the Fool.” Comedy Studies 8 (2): 167–181. doi:10.1080/2040610X.2017.1343273
- Hines, Karen, Michael Kennard, and John Turner. 2020. “In the Company of Mump & Smoot and Pochsy: A Conversation between Karen Hines, Michael Kennard, and John Turner.” Canadian Theatre Review 183: 44–49. doi:10.3138/ctr.183.011
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- Yancy, George, and bell Hooks. 2015. “bell hooks: Buddhism, the Beats and Loving Blackness.” The New York Times Opinionator Pages, December 10. https://opinionator.blogs.nytimes.com/2015/12/10/bell-hooks-buddhism-the-beats-and-loving-blackness/.