The edge of experiences. Towards a material ecology of augmented interiors

References

• Agamben, G. , Marco Dell’Omodarme , Suzanne Doppelt , Daniel Loayza , and Gilles A. Tiberghien . 2004. Image et Mémoire: Écrits sur l’image, la Danse et le Cinéma . Translated from Italian by Paris: Desclée de Brouwer.
   Google Scholar
• Bateson, G. 1972. Steps to An Ecology of Mind . Chicago: The University of Chicago Press.
   Google Scholar
• Benjamin, W. , and Maurice de Gandillac . [1939] 2008. L’oeuvre d’art à l’époque de sa Reproductibilité Technique: Version de 1939 .” Translated from German by Paris: Gallimard.
   Google Scholar
• Bennet, J. 2010. Vibrant Matter. A Political Ecology of Things . Durham: Duke University Press.
   Google Scholar
• Bowman, D. , and R. McMahan . 2007. “Virtual Reality: How Much Immersion is Enough?” Computer .” IEEE Computer Society 40-7: 36–43.
   Google Scholar
• Dewey, J. [1934] 2005. Art as Experience . New York: Perige Books.
   Google Scholar
• Dubberly, H. , P. Pangaro , and U. Haque . 2009. “What is Interaction? Are There Different Types?” Interactions XVI (1): 1–10.
   Google Scholar
• Dunne, A. [1999] 2006. Hertzian Tales: Electronic Products, Aesthetic Experiences and Critical Research . Cambridge, MA: The MIT Press.
   Google Scholar
• Eco, U. , and Anna Cancogni . [1962] 1989. The Open Work . Translation by Cambridge, MA: Harvard University Press.
   Google Scholar
• Ehrenzweig, A. , and Francine Lacoue-Labarthe Et Claire Nancy . [1967] 1974. L’ordre caché de L’art: Essai Sur la Psychologie de L’imagination Artistique . Translation by Paris: Gallimard.
   Google Scholar
• Flusser, V. [1990] 2014. Les Gestes . Marseille: Al Dante.
   Google Scholar
• Foucault, M. 1975. Surveiller et Punir: Naissance de la prison . Paris: Gallimard.
   Google Scholar
• Foucault, M. , D. Trombadori , and Robert Hurley . [1980] 2000 “Interview with Michel Foucault.” Translation by The Essential Works of Foucault , vol. 3. New York: The New Press.
   Google Scholar
• Fuller, M. 2016. “Cada modo de Transparencia Trae Implícita Cierta Opacidad. Entrevista a Matthew Fuller Por César Escudero.” In Interface Politics: First International Conference 2016 , 786–791. Barcelona: Publicaciones Gredits.
   Google Scholar
• Haque, U. 2007. “The Architectural Relevance of Gordon Pask.” In 4d Social: Interactive Design Environments , edited by Lucy Bullivant , 54–61. London: John Wiley & Sons.
   Google Scholar
• Janlert, L. E. , and E. Stolterman . 2017. Things That Keep Us Busy: The Elements of Interaction . Cambridge, MA: The MIT Press.
   Google Scholar
• Jones, C.A. Mather, D. Uchill, R. , eds. 2016. Experience: Culture, Cognition and the Common Sense . Cambridge, MA: The MIT Press.
   Google Scholar
• Khan, O. , Trebor Scholz and Mark Shepard , eds. 2007. Architecture and Situated Technologies: Pamphlet 1, Urban Computing and Its Discontents , New York: The Architectural League.
   Google Scholar
• Manovich, L. 2006. “The Poetics of Augmented Space.” Visual Communication 5 (2): 219–240. doi:10.1177/1470357206065527.
   Google Scholar
• Metzger, G. 1960. Manifesto Auto-Destructive Art . London: Self-Published.
   Google Scholar
• Moujan, C. 2011. “Touching the Interspace.” The Internet of Things 28: 10–13. July 2011.
   Google Scholar
• Moujan, C. 2013. “Optique-Haptique, Distraction et Expérience Spatiale.” In Entrelacs n°10: Le toucher au cinéma et dans les médias numériques , edited by Amanda Robles and Julie Savelli , September 2013, online. doi:10.4000/entrelacs.522.
   Google Scholar
• Moujan, C. 2014. “Design d’espaces et Pratiques Numériques. De la Réalité Augmentée à la Notion D’entr’espace.” PhD diss., Panthéon-Sorbonne: Université Paris 1.
   Google Scholar
• Pask, G. [1968] 1971. “A comment, a Case History and a Plan.” Cybernetics, Art, and Ideas , edited by J. Reichardt , 76–99. New York: New York Graphics Society.
   Google Scholar
• Penny, S. 2017. Making Sense: Cognition, Computing, Art and Embodiment . Cambridge, MA: The MIT Press.
   Google Scholar
• Pickering, A. 2010. The Cybernetic Brain: Sketches of Another Future . Chicago: The University of Chicago Press.
   Google Scholar
• Preston, J. 2020. “Introduction. Interior Technicity.” Idea Journal 17 (01): 8–12.
   Google Scholar
• Rykwert, J. 2002. The Seduction of Place: The History and Future of the City . New York: Vintage Books.
   Google Scholar
• Semon, R. 1921. The Nmeme . London: George Allen & Unwin.
   Google Scholar
• Simondon, G. 1958. Du Mode D’existence Des Objets Techniques . Paris: Aubier.
   Google Scholar
• Truman, S. E., and S. Springgay 2016. “Propositions for walking research.” In International Handbook for Intercultural Arts, edited by K. Powell, P. Bernard, and L. Mackinley, 259–267. New York, NY: Routledge.
   Google Scholar
• Weiser, M. 1991. “The Computer for the 21st Century”. Scientific American, September 1991, 94–104.
   Google Scholar
• Weiser, M. , and J. S. Brown . 1995. Designing Calm Technology . Xerox PARC, 1995. https://www.karlstechnology.com/blog/designing-calm-technology/.
   Google Scholar