References
- Atanasoski, Neda, and Kalindi Vora. 2015. “Surrogate Humanity: Posthuman Networks and the (Racialized) Obsolescence of Labor.” Catalyst: Feminism, Theory, Technoscience 1 (1): 1–40. doi:10.28968/cftt.v1i1.28809
- Audry, Sofian. 2021. Art in the Age of Machine Learning. Cambridge, MA: MIT Press.
- Austin, J. L. 1962. How to Do Things with Words. Cambridge, MA: Harvard University Press.
- Barad, Karen. 2007. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Durham: Duke University Press.
- BBC. 1979. The New Sound of Music. YouTube. https://www.youtube.com/watch?v=dUTdun0tFE8.
- Benanev, Aaron. 2020. Automation and the Future of Work. London: Verso.
- Benjamin, Ruha. 2019. Race After Technology. New York: Polity.
- Berkeley, Edmund C. 1949. Giant Brains, Or Machines That Think. New York: Wiley.
- Blauner, Robert. 1964. Alienation and Freedom: The Factory Worker and His Industry. Chicago: University of Chicago Press.
- Braverman, Harry. 1974. Labor and Monopoly Capital: The Degredation of Work in the Twentieth Century. New York: Monthly Review Press.
- Chun, Wendy Hui Kyong. 2013. Programmed Visions: Software and Memory. Cambridge, MA: MIT Press.
- Cotter, Jennifer. 2016. “New Materialism and the Labor Theory of Value.” Minnesota Review 87: 171–181. doi:10.1215/00265667-3630928
- Crawford, Kate. 2021. Atlas of AI. New Haven: Yale University Press.
- Denson, Shane. 2020. Discorrelated Images. Durham: Duke University Press.
- Derrida, Jacques. 1988. Limited Inc, Translated by Samuel Weber. Evanston: Northwestern University Press.
- Derrida, Jacques. 2002. Limited ink (2). Without Alibi, Translated by Peggy Kamuf. Stanford: Stanford University Press.
- Derrida, Jacques. 2007. “A Certain Impossible Possibility of Saying the Event.” In Critical Inquiry, Translated by Gila Walker, 441–461. Chicago: University of Chicago Press.
- Dhaliwal, Ranjodh Singh. 2022. “The Cyber-Homunculus: On Race and Labor in Plans for Computation.” Configurations 30 (4): 377–409. doi:10.1353/con.2022.0028
- Eubanks, Virginia. 2018. Automating Inequality: How High-Tech Tools Profile, Police, and Punish the Poor. New York: St. Martin’s Press.
- Felman, Shoshana. 2003. The Scandal of the Speaking Body: Don Juan with J. L. Austin, or Seduction in Two Languages, Translated by Catherine Porter. Stanford: Stanford University Press.
- Fisher, Anna Watkins. 2020. The Play in the System: The Art of Parasitical Resistance. Durham: Duke University Press.
- Galloway, Alexander R. 2012. The Interface Effect. New York: Wiley.
- Geoghegan, Bernard Dionysius. 2020. “Orientalism and Informatics: Alterity from the Chess-Playing Turk to Amazon’s Mechanical Turk.” Ex-position 43: 45–90. doi:10.6153/EXP.202006_(43).0004
- Grey Walter, William. 1953. The Living Brain. New York: Norton.
- Hansen, Mark B.N. 2015. Feed-forward: On the Future of Twenty-First Century Media. Chicago: University of Chicago Press.
- Hayles, N. Katherine. 2005. My Mother Was a Computer: Digital Subjects and Literary Texts. Chicago: University of Chicago Press.
- Heinrich, Michael. 2012. An Introduction to the Three Volumes of Marx’s Capital, Translated by Alexander Locascio. New York: Monthly Review Press.
- Hicks, Mar. 2017. Programmed Inequality: How Britain Discarded Women Technologists and Lost its Edge in Computing. Cambridge, MA: MIT Press.
- Higgins, Hannah, and Douglas Kahn. 2012. Mainframe Experimentalism: Early Computing and the Foundations of the Digital Arts. Berkeley: University of California Press.
- Jones, Phil. 2021. Work Without the Worker. London: Verso.
- Joque, Justin. 2018. Deconstruction Machines: Writing in the Age of Cyberwar. Minneapolis: University of Minnesota Press.
- Jucan, Ioana B. 2015. “sys.Begin to sys.Exit: Software Performs A Piece of Work.” TDR: The Drama Review 59 (4): 149–168. doi:10.1162/DRAM_a_00502
- Latour, Bruno. 2005. Reassembling the Social: An Introduction to Actor-Network-Theory. Oxford: Oxford University Press.
- Munn, Luke. 2022. Automation is a Myth. Stanford: Stanford University Press.
- O’Neil, Cathy. 2016. Weapons of Math Destruction: How Big Data Increases Inequality and Threatens Democracy. New York: Crown.
- Parker-Starbuck, Jennifer. 2006. “Becoming-Animate: On the Performed Limits of ‘Human’..” Theatre Journal 58 (4): 649–668. doi:10.1353/tj.2007.0033
- Pickering, Andrew. 1995a. “Cyborg History and the WWIII Regime.” Perspectives in Science 3: 1–45. doi:10.1162/posc_a_00472
- Pickering, Andrew. 1995b. The Mangle of Practice. Chicago: University of Chicago Press.
- Pickering, Andrew. 2010. The Cybernetic Brain: Sketches of Another Future. Chicago: University of Chicago Press.
- Rockman, Arnold, and Leslie Mezei. 1964. “The Electronic Computer as an Artist.” Canadian Art 11: 365–367.
- Rouvroy, Antoinette, and Thomas Berns. 2013. “Algorithmic Governmentality and Prospects of Emancipation.” In Résaux, Translated by Elizabeth Libbrecht 177(1), 163–196.
- Salter, Chris. 2010. Entangled: Technology and the Transformation of Performance. Cambridge, MA: MIT Press.
- Salter, Chris. 2015. Alien Agencies: Experimental Encounters with Art in the Making. Cambridge, MA: MIT Press.
- Schneider, Rebecca. 2015. “New Materialisms and Performance Studies.” TDR: The Drama Review 59 (4): 7–17. doi:10.1162/DRAM_a_00493
- Simondon, Gilbert. 2017. On the Mode of Existence of Technical Objects, Translated by Cécile Malaspina, and John Rogove. Minneapolis: Univocal.
- Smith, Jason E. 2020. Smart Machines and Service Work: Automation in an Age of Stagnation. Chicago: Reaktion.
- Sohn-Rethel, Alfred. 1978. Intellectual and Manual Labour: A Critique of Epistemology. Trans. Martin Sohn-Rethel. New Jersey: Humanities Press.
- Stiegler, Bernard. 2017. The Automatic Society, Vol. 1: The Future of Work. Trans. Daniel Ross. New York: Wiley.
- Suri, Siddharth, and Mary Gray. 2019. Ghost Work. New York: Houghton Mifflin Harcourt.
- Taylor, Grant D. 2014. When the Machine Made Art: The Troubled History of Computer Art. London: Bloomsbury.
- Thomas, Aaron C. 2021. “Infelicities.” Journal of Dramatic Theory and Criticism 35 (2): 13–25. doi:10.1353/dtc.2021.0002
- Weber, Samuel. 2004. Theatricality as Medium. New York: Fordham University Press.
- Wiener, Norbert. 1950. The Human Use of Human Beings. New York: Houghton Mifflin.
- Wiggers, Kyle. 2022. Stability AI, the Startup Behind Stable Diffusion, Raises $101M. TechCrunch Oct 17.