324
Views
0
CrossRef citations to date
0
Altmetric
Articles

Performativity without theatricality: experiments at the limit of staging AI

References

  • Atanasoski, Neda, and Kalindi Vora. 2015. “Surrogate Humanity: Posthuman Networks and the (Racialized) Obsolescence of Labor.” Catalyst: Feminism, Theory, Technoscience 1 (1): 1–40. doi:10.28968/cftt.v1i1.28809
  • Audry, Sofian. 2021. Art in the Age of Machine Learning. Cambridge, MA: MIT Press.
  • Austin, J. L. 1962. How to Do Things with Words. Cambridge, MA: Harvard University Press.
  • Barad, Karen. 2007. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Durham: Duke University Press.
  • BBC. 1979. The New Sound of Music. YouTube. https://www.youtube.com/watch?v=dUTdun0tFE8.
  • Benanev, Aaron. 2020. Automation and the Future of Work. London: Verso.
  • Benjamin, Ruha. 2019. Race After Technology. New York: Polity.
  • Berkeley, Edmund C. 1949. Giant Brains, Or Machines That Think. New York: Wiley.
  • Blauner, Robert. 1964. Alienation and Freedom: The Factory Worker and His Industry. Chicago: University of Chicago Press.
  • Braverman, Harry. 1974. Labor and Monopoly Capital: The Degredation of Work in the Twentieth Century. New York: Monthly Review Press.
  • Chun, Wendy Hui Kyong. 2013. Programmed Visions: Software and Memory. Cambridge, MA: MIT Press.
  • Cotter, Jennifer. 2016. “New Materialism and the Labor Theory of Value.” Minnesota Review 87: 171–181. doi:10.1215/00265667-3630928
  • Crawford, Kate. 2021. Atlas of AI. New Haven: Yale University Press.
  • Denson, Shane. 2020. Discorrelated Images. Durham: Duke University Press.
  • Derrida, Jacques. 1988. Limited Inc, Translated by Samuel Weber. Evanston: Northwestern University Press.
  • Derrida, Jacques. 2002. Limited ink (2). Without Alibi, Translated by Peggy Kamuf. Stanford: Stanford University Press.
  • Derrida, Jacques. 2007. “A Certain Impossible Possibility of Saying the Event.” In Critical Inquiry, Translated by Gila Walker, 441–461. Chicago: University of Chicago Press.
  • Dhaliwal, Ranjodh Singh. 2022. “The Cyber-Homunculus: On Race and Labor in Plans for Computation.” Configurations 30 (4): 377–409. doi:10.1353/con.2022.0028
  • Eubanks, Virginia. 2018. Automating Inequality: How High-Tech Tools Profile, Police, and Punish the Poor. New York: St. Martin’s Press.
  • Felman, Shoshana. 2003. The Scandal of the Speaking Body: Don Juan with J. L. Austin, or Seduction in Two Languages, Translated by Catherine Porter. Stanford: Stanford University Press.
  • Fisher, Anna Watkins. 2020. The Play in the System: The Art of Parasitical Resistance. Durham: Duke University Press.
  • Galloway, Alexander R. 2012. The Interface Effect. New York: Wiley.
  • Geoghegan, Bernard Dionysius. 2020. “Orientalism and Informatics: Alterity from the Chess-Playing Turk to Amazon’s Mechanical Turk.” Ex-position 43: 45–90. doi:10.6153/EXP.202006_(43).0004
  • Grey Walter, William. 1953. The Living Brain. New York: Norton.
  • Hansen, Mark B.N. 2015. Feed-forward: On the Future of Twenty-First Century Media. Chicago: University of Chicago Press.
  • Hayles, N. Katherine. 2005. My Mother Was a Computer: Digital Subjects and Literary Texts. Chicago: University of Chicago Press.
  • Heinrich, Michael. 2012. An Introduction to the Three Volumes of Marx’s Capital, Translated by Alexander Locascio. New York: Monthly Review Press.
  • Hicks, Mar. 2017. Programmed Inequality: How Britain Discarded Women Technologists and Lost its Edge in Computing. Cambridge, MA: MIT Press.
  • Higgins, Hannah, and Douglas Kahn. 2012. Mainframe Experimentalism: Early Computing and the Foundations of the Digital Arts. Berkeley: University of California Press.
  • Jones, Phil. 2021. Work Without the Worker. London: Verso.
  • Joque, Justin. 2018. Deconstruction Machines: Writing in the Age of Cyberwar. Minneapolis: University of Minnesota Press.
  • Jucan, Ioana B. 2015. “sys.Begin to sys.Exit: Software Performs A Piece of Work.” TDR: The Drama Review 59 (4): 149–168. doi:10.1162/DRAM_a_00502
  • Latour, Bruno. 2005. Reassembling the Social: An Introduction to Actor-Network-Theory. Oxford: Oxford University Press.
  • Munn, Luke. 2022. Automation is a Myth. Stanford: Stanford University Press.
  • O’Neil, Cathy. 2016. Weapons of Math Destruction: How Big Data Increases Inequality and Threatens Democracy. New York: Crown.
  • Parker-Starbuck, Jennifer. 2006. “Becoming-Animate: On the Performed Limits of ‘Human’..” Theatre Journal 58 (4): 649–668. doi:10.1353/tj.2007.0033
  • Pickering, Andrew. 1995a. “Cyborg History and the WWIII Regime.” Perspectives in Science 3: 1–45. doi:10.1162/posc_a_00472
  • Pickering, Andrew. 1995b. The Mangle of Practice. Chicago: University of Chicago Press.
  • Pickering, Andrew. 2010. The Cybernetic Brain: Sketches of Another Future. Chicago: University of Chicago Press.
  • Rockman, Arnold, and Leslie Mezei. 1964. “The Electronic Computer as an Artist.” Canadian Art 11: 365–367.
  • Rouvroy, Antoinette, and Thomas Berns. 2013. “Algorithmic Governmentality and Prospects of Emancipation.” In Résaux, Translated by Elizabeth Libbrecht 177(1), 163–196.
  • Salter, Chris. 2010. Entangled: Technology and the Transformation of Performance. Cambridge, MA: MIT Press.
  • Salter, Chris. 2015. Alien Agencies: Experimental Encounters with Art in the Making. Cambridge, MA: MIT Press.
  • Schneider, Rebecca. 2015. “New Materialisms and Performance Studies.” TDR: The Drama Review 59 (4): 7–17. doi:10.1162/DRAM_a_00493
  • Simondon, Gilbert. 2017. On the Mode of Existence of Technical Objects, Translated by Cécile Malaspina, and John Rogove. Minneapolis: Univocal.
  • Smith, Jason E. 2020. Smart Machines and Service Work: Automation in an Age of Stagnation. Chicago: Reaktion.
  • Sohn-Rethel, Alfred. 1978. Intellectual and Manual Labour: A Critique of Epistemology. Trans. Martin Sohn-Rethel. New Jersey: Humanities Press.
  • Stiegler, Bernard. 2017. The Automatic Society, Vol. 1: The Future of Work. Trans. Daniel Ross. New York: Wiley.
  • Suri, Siddharth, and Mary Gray. 2019. Ghost Work. New York: Houghton Mifflin Harcourt.
  • Taylor, Grant D. 2014. When the Machine Made Art: The Troubled History of Computer Art. London: Bloomsbury.
  • Thomas, Aaron C. 2021. “Infelicities.” Journal of Dramatic Theory and Criticism 35 (2): 13–25. doi:10.1353/dtc.2021.0002
  • Weber, Samuel. 2004. Theatricality as Medium. New York: Fordham University Press.
  • Wiener, Norbert. 1950. The Human Use of Human Beings. New York: Houghton Mifflin.
  • Wiggers, Kyle. 2022. Stability AI, the Startup Behind Stable Diffusion, Raises $101M. TechCrunch Oct 17.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.