https://orcid.org/0000-0002-9272-6380
References
- Barad, Karen. 2007. Meeting the Universe Halfway. Durham, NC; Chesham: Duke University Press.
- Barad, Karen. 2014. “Diffracting Diffraction: Cutting Together-Apart.” Parallax 20 (3): 168–187. https://doi.org/10.1080/13534645.2014.927623.
- Bennett, Jane. 2010. Vibrant Matter: A Political Ecology of Things. Durham, NC: Duke University Press.
- Bleeker, Maaike. 2017. “Thinking That Matters: Towards a Post-Anthropocentric Approach to Performance Design.” In Scenography Expanded: An Introduction to Contemporary Performance Design, edited by Joslin McKinney and Scott Palmer, 125–136. London: Bloomsbury Methuen Drama.
- Chan, Amy. 2020. “The Diffracting Light in Contemporary Theatre.” Performance Research 25 (5): 107–113. https://doi.org/10.1080/13528165.2020.1868852.
- Graham, Katherine. 2023. “Aesthetics, Materiality and Meaning-Making in Scenographic Light.” In Contemporary Performance Lighting: Experience, Creativity and Meaning, edited by Katherine Graham, Scott Palmer, and Kelli Zezulka, 245–268. London: Methuen Drama.
- McKinney, Joslin. 2021. “Agency and Intra-Action in Katrin Brack’s Designs.” In Contemporary Scenography Practices and Aesthetics in German Theatre, Arts and Design, edited by Birgit Wiens, 87–105. London: Bloomsbury Methuen Drama.
- McKinney, Joslin, and Scott Palmer, eds. 2017. Scenography Expanded: An Introduction to Contemporary Performance Design. London: Bloomsbury Methuen Drama.