References
- Bamzai, K. (2007). How India watches movies. India Today, December 17, 88–90.
- Bamzai, K. (2008). Bollywood extra large. India Today, April 14, 29–35.
- Bharat, M. & Kumar, N. (2008). Filming the Line of Control. New Delhi: Routledge.
- Bhugra, D., Gupta, K.R. & Wright, B. (1997). Depression in North India – Comparison of symptoms and life events with other patient groups. International Journal of Psychiatry in Clinical Practice, 1, 83–87.
- Bhugra, D. (2002). Migration and depression. Acta Psychiatrica Scandinavica Supplement, 418, 67–72.
- Bhugra, D. (2006). Mad Tales from Bollywood: Portrayal of Mental Illness in Conventional Hindi Cinema. Hove: Psychology Press.
- Bhugra, D. & Gupta, S. (2009). Cinema and psychiatry. International Review of Psychiatry, 21, 234–240.
- Boon, T. (1999). Films and the contestation of public health in inter war Britain. Doctoral dissertation, University of London, UK.
- Bose, D. (2006). Brand Bollywood. New Delhi: Sage.
- Chakravorty, S. (1993). National Identity in Indian Popular Cinema. Austin, TX: University of Texas Press.
- Chatterji, S. (1998). Subject: Cinema, Object: Women. Calcutta: Pirumita Publications.
- Chatterjee, S. (2002). Devdas. Hindi trans by AK Jain. Delhi: Hind Pocket Books.
- Chopra, A. (2004). Dilwale Dulhania Le Jayenge: Making of a Blockbuster. Delhi: HarperCollins.
- Cohan, S. & Hark, I. (1993). Screening the Male. New York: Routledge.
- Dwyer, R. (2006). Filming the Gods. Abingdon: Routledge.
- Gabbard, G. & Gabbard, K. (1999). Psychiatry and Cinema. Washington, DC: American Psychiatric Association.
- Gokulsing, K.M. & Dissanayake, W. (1998). Indian Popular Cinema: A Narrative of Cultural Change. New Delhi: Orient Longman.
- Jain, J. & Rai, S. (2002). Films and Feminism: Essays in Indian Cinema. Jaipur: Rawat.
- Kazmi, F. (1999). The Politics of India's Conventional Cinema. New Delhi: Sage.
- Metz, C. (1982). The Imaginary Signifier. Bloomington: Indiana University Press.
- Nandy, A. (1998). The Secret Politics of our Desires: Innocence, Culpability and Indian Popular Cinema. New Delhi: Oxford University Press.
- Orsini, F. (2007). Love in South Asia. New Delhi: Cambridge University Press.
- Panjwani, N. (2006). Emotion Pictures. Ahmedabad: Rainbow.
- Prabhu, M. (2001). Roles Reel to Real: Images of Woman in Hindi Cinema. Delhi: Ajanta.
- Rajadhyaksha, A. (2009). Indian Cinema in the Time of Celluloid. Bloomington: Indiana University Press.
- Saari, A. (2009). Hindi Cinema: An Insider's View. Delhi: Oxford University Press.
- Singh, V. (2002). Towards the radicalization of the Indian family. In J. Jain & S. Rai, Films and Feminism. Jaipur: Rawat.
- Virdi, J. (2003). The Cinematic Imagination. Delhi: Permanent Black.
- Vitali, V. (2008). Hindi Action Cinema: Industries, Narratives, Bodies. New Delhi: Oxford University Press.