435
Views
20
CrossRef citations to date
0
Altmetric
Research Article

Professional male singers’ formant tuning strategies for the vowel /a/

, &
Pages 156-167 | Received 22 Feb 2011, Accepted 20 Apr 2011, Published online: 15 Jul 2011

References

  • Coffin B. Overtones of Bel Canto. The phonetic basis of artistic singing. Metuchen, NJ: Scarecrow Press; 1980.
  • Miller DG, Schutte HK. Formant tuning in a professional baritone. J Voice. 1990;4:231–7.
  • Doscher BM. The functional unity of the singing voice. 2nd. London: Scarecrow Press Inc.; 1994.
  • Hertegård S, Gauffin J, Sundberg J. A comparison of subglottal and intraoral pressure measurements during phonation. J Voice. 1990;9:149–55.
  • Hirano M, Vennard W, Ohala J. Regulation of register, pitch and intensity of voice. An electromyographic investigation of intrinsic laryngeal muscles. Folia Phoniatr (Basel). 1970;22:1–20.
  • Carlsson G, Sundberg J. Formant frequency tuning in singing. J Voice. 1992;6:256–60.
  • Gauffin J, Sundberg J. Spectrum correlates of glottal voice source waveform characteristics. J Speech Hear Res. 1989; 32:556–65.
  • Miller DG, Sulter AM, Schutte HK, Wolf RF. Comparison of vocal tract formants in singing and nonperiodic phonation. J Voice. 1997;11:1–11.
  • Schutte, HK, Miller DG, Duijnstee M. Resonance strategies revealed in recorded tenor high notes. Folia Phoniatr Logop. 2005;57:292–307.
  • Miller DG. Resonance in singing. Voice building through acoustic feedback. Princeton, NJ: Inside View Press; 2008.
  • Neumann K, Schunda P, Hoth S, Euler HA. The interplay between glottis and vocal tract during the male passaggio. Folia Phoniatr Logop. 2005;57:308–27.
  • Echternach M. Wissenschaftliche Untersuchungen zu Registerübergängen bei männlichen Stimmen. Habilitation, Albert-Ludwigs-Universität Freiburg; 2010.
  • Titze IR. A theoretical study of F0-F1 interaction with application to resonant speaking and singing voice. J Voice. 2004;18:292–8.
  • Titze IR, Worley AS. Modeling source-filter interaction in belting and high-pitched operatic male singing. J Acoust Soc Am. 2009;126:1530–40.
  • Titze IR. Nonlinear source-filter coupling in phonation: Theory. J Acoust Soc Am. 2008;123:2733–49.
  • Fant G. Acoustic theory of speech production. The Hague: Mouton; 1960 (second printing 1970).
  • Sundberg J. Articulatory interpretation of the ‘singing formant’. J Acoust Soc Am. 1974;55:838–44.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.