About this journal
Aims and scope
Journal of Graphic Novels and Comics covers all aspects of the graphic novel, comic strip and comic book focusing primarily, but not exclusively, on the twentieth and the twenty-first centuries. The emphasis is on the production and consumption of comics in their cultural, institutional and creative contexts.
The journal aims to reflect not only standard forms such as the superhero and other genres of the comic book, but also the increasing interest in modern forms and emerging genres of the comic, for instance, medicine, psychology and, autobiography. Our scope is international, covering not only English language comics but also worldwide comic culture, recently featuring articles about European, Indian, Japanese and Korean comics. We would like to extend into other comic cultures in Australia, Africa, South America and Scandinavia.
We are interested in the production and consumption of comics and their context within culture and the mass media, for instance within promotional culture, digital technologies and fandom. The journal aims to reflect and encourage the widest breadth of approaches to the comic, as a mass medium, and its associated forms.
All submissions are subject to two, or more, ‘double-anonymized’ peer reviews.
Journal metrics
Usage
- 87K annual downloads/views
Citation metrics
- 0.8 (2023) CiteScore (Scopus)
- Q1 CiteScore Best Quartile
- 0.787 (2023) SNIP
- 0.239 (2023) SJR
Speed/acceptance
- 52 days avg. from submission to first decision
- 54 days avg. from submission to first post-review decision
- 9 days avg. from acceptance to online publication
- 49% acceptance rate
Understanding and using journal metrics
Journal metrics can be a useful tool for readers, as well as for authors who are deciding where to submit their next manuscript for publication. However, any one metric only tells a part of the story of a journal’s quality and impact. Each metric has its limitations which means that it should never be considered in isolation, and metrics should be used to support and not replace qualitative review.
We strongly recommend that you always use a number of metrics, alongside other qualitative factors such as a journal’s aims & scope, its readership, and a review of past content published in the journal. In addition, a single article should always be assessed on its own merits and never based on the metrics of the journal it was published in.
For more details, please read the Author Services guide to understanding journal metrics.
Journal metrics in brief
Usage and acceptance rate data above are for the last full calendar year and are updated annually in February. Speed data is updated every six months, based on the prior six months. Citation metrics are updated annually mid-year. Please note that some journals do not display all of the following metrics (find out why).
- Usage: the total number of times articles in the journal were viewed by users of Taylor & Francis Online in the previous calendar year, rounded to the nearest thousand.
Citation Metrics
- Impact Factor*: the average number of citations received by articles published in the journal within a two-year window. Only journals in the Clarivate Science Citation Index Expanded (SCIE), Social Sciences Citation Index (SSCI), Arts and Humanities Citation Index (AHCI) and the Emerging Sources Citation Index (ESCI) have an Impact Factor.
- Impact Factor Best Quartile*: the journal’s highest subject category ranking in the Journal Citation Reports. Q1 = 25% of journals with the highest Impact Factors.
- 5 Year Impact Factor*: the average number of citations received by articles in the journal within a five-year window.
- CiteScore (Scopus)†: the average number of citations received by articles in the journal over a four-year period.
- CiteScore Best Quartile†: the journal’s highest CiteScore ranking in a Scopus subject category. Q1 = 25% of journals with the highest CiteScores.
- SNIP (Source Normalized Impact per Paper): the number of citations per paper in the journal, divided by citation potential in the field.
- SJR (Scimago Journal Rank): Average number of (weighted) citations in one year, divided by the number of articles published in the journal in the previous three years.
Speed/acceptance
- From submission to first decision: the average (median) number of days for a manuscript submitted to the journal to receive a first decision. Based on manuscripts receiving a first decision in the last six months.
- From submission to first post-review decision: the average (median) number of days for a manuscript submitted to the journal to receive a first decision if it is sent out for peer review. Based on manuscripts receiving a post-review first decision in the last six months.
- From acceptance to online publication: the average (median) number of days from acceptance of a manuscript to online publication of the Version of Record. Based on articles published in the last six months.
- Acceptance rate: articles accepted for publication by the journal in the previous calendar year as percentage of all papers receiving a final decision.
For more details on the data above, please read the Author Services guide to understanding journal metrics.
*Copyright: Journal Citation Reports®, Clarivate Analytics
†Copyright: CiteScore™, Scopus
Editorial board
EDITOR IN CHIEF
David Huxley
EDITOR
Joan Ormrod, Faculty of Art & Design, Manchester Metropolitan University, UK
ASSOCIATE EDITOR
Will Grady - Manchester Metropolitan University, Manchester, UK
Ian Horton - University of the Arts London, UK
AMERICAN EDITORS
Vera J. Camden - Kent State University, USA
Valentino L. Zullo - Kent State University, USA
ASIA PACIFIC EDITORS
Ian Gordon, Department of History, National University of Singapore, Singapore
Angela Ndalianis, Swinbourne University of Technology, Australia
CANADIAN EDITOR
Bart Beaty, University of Calgary, Canada
CONSULTING EDITOR
Roger Sabin, Central Saint Martins College of Art and Design, University of the Arts London, UK
BOOK REVIEW EDITOR
Eszter Szép, Independent Researcher and Educator
EDITORIAL BOARD
Maaheen Ahmed - Ghent University
José Alaniz - University of Washington, USA
Tomas Gaete Altamirano – Universidad Autónoma de Chile
Érico Assis - Universidade Federal de Santa Catarina, Brasil
Jeffery A. Brown - Bowling Green State University, USA
Scott Bukatman – Stanford University, USA
Neil Cohn, Tilberg University, Netherlands
Peter Coogan, Washington University, USA
Professor John Crespi, Department of East Asian Languages and Literatures, Colgate University
Benoît Crucifix, KBR & KU Leuven as researcher and assistant professor
Dominic Davies, Senior Lecturer in English at City, University of London
Paul Dawson, Manchester University, UK
Harriet Earle - Sheffield Hallam University, UK, and Research Fellow at the Centre for War, Atrocity, and Genocide at Nipissing University, Canada.
Margaret C. Flinn - The Ohio State University, USA
Mel Gibson – University of Northumbria, UK
Shawn Patrick Gilmore - University of Illinois, Urbana-Champaign, USA
Michael Goodrum - Canterbury Christchurch University, UK
Paul Gravett - Author and Independent Scholar, UK
Dominick Grace - Brescia University College in London, Ontario, Canada
Simon Grennan - University of Chester, UK
Ian Hague - University of the Arts London, UK
Charles Hatfield – California State University, USA
Laura Vazquez Hutnik - Torcuato Di Tella University, and at the National University of Moreno
Katherine Kelp-Stebbins - University of Oregon, USA
Jeffery Klaehn - Author and Independent scholar, Canada
Andy Kunka - University of South Carolina, USA
Pascal Lefèvre - Belgium
John Lent - Publisher/editor-in-chief, International Journal of Comic Art
Andrew Lesk - University of Toronto, Canada
Lisa Macklem – Author and Independent scholar
Anne Magnussen - Southern Denmark University
John Miers - Kingston University, London
Kimberly Myers - Penn State College of Medicine, Milton S. Hershey Medical Center
Golnar Nabizadeh, University of Dundee
Pramod K. Nayar - The University of Hyderabad, India
Suryanandini Nurain - Jawaharlal Nehru University
Anna F. Peppard - St. Jerome's University in January 2023 Brock University
Barbara Postema - Groningen University
Mihaela Precup - University of Bucharest, Romania
Ernesto Priego - City University of London, UK
Candida Rifkind - The University of Winnipeg, Canada
Kristine Michelle L. Santos - Ateneo de Manila University, Philippines
Johannes Schmid - Europa-Universität Flensburg, Germany
Gareth Schott - Waikato University, New Zealand
Deborah Shamoon - National University of Singapore, Singapore
Varsha Singh - Indian Institute of Technology, India.
Fredrik Strömberg - Malmo University, Sweden
Jan-Noël Thon - Osnabrück University, Germany
Tien-Yi Chao - National Taiwan University, Taiwan
Carole L. Tilley - University of Illinois at Urbana-Champaign, USA
Pablo Turnes - Universidad Nacional de Mar del Plata (UNMDP), Argentina
Laura Vazquez - Northern Illinois University, USA
Raphaela von Weichs - Université de Lausanne, Switzerland
Robert G. Weiner – Texas Tech University, USA
Joseph Witek – Stetson University, Florida, USA
David Huxley was a Senior Lecturer on the Film and Media Studies BA Hons at Manchester Metropolitan University until 2018. He has written widely on comics and popular culture, including British underground comics, American and British war comics, superheroes and horror film. He has also drawn and written for a range of British comics, including Ally Sloper (1976), Pssst (1982) and Oink (1988). He has forthcoming chapters on women in Western comics and also Robert Crumb, and his most recent publication is Lone Heroes and the Myth of the American West in Comic Books 1945-1962 (Palgrave MacMillan, 2018).
Joan Ormrod is a Senior Lecturer in Film and Media Studies BA Hons at Manchester Metropolitan University, teaching a range of units such as Graphic Novels and Comics, Fantasy in Popular Culture and Science Fiction. Her publications and conference presentations reflect her research interests in subcultural audiences, comics and cult films. In 2009 she co-edited a book, On the Edge: Leisure, Consumption and the Representation of Adventure Sports. She has published articles on cult films in Scope, and surfing subcultures in History of Sport, presented papers at comics conferences and co-hosted a conference on comics with David Huxley in September 2007. In a previous life she published a number of scripts with Marvel UK.
Abstracting and indexing
Journal of Graphic Novels & Comics is included in:
EBSCOHost; SCOPUS.
Open access
Journal of Graphic Novels and Comics is a hybrid open access journal that is part of our Open Select publishing program, giving you the option to publish open access. Publishing open access means that your article will be free to access online immediately on publication, increasing the visibility, readership, and impact of your research.
Why choose open access?
- Increase the discoverability and readership of your article
- Make an impact and reach new readers, not just those with easy access to a research library
- Freely share your work with anyone, anywhere
- Comply with funding mandates and meet the requirements of your institution, employer or funder
- Rigorous peer review for every open access article
Article Publishing Charges (APC)
If you choose to publish open access in this journal you may be asked to pay an Article Publishing Charge (APC). You may be able to publish your article at no cost to yourself or with a reduced APC if your institution or research funder has an open access agreement or membership with Taylor & Francis.
Use our APC finder to calculate your article publishing charge
News, offers and calls for papers
News and offers
6 issues per year. 6 issues will be print.
Advertising information
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