About this journal

Aims and scope

One of the leading media studies journals, New Review of Film and Television Studies publishes peer-reviewed research on the theory, history, aesthetics, and politics of expressive screen culture. Committed to a broad definition of film and television studies, NRFTS welcomes articles on digital, sound, video, and web-based media. The journal particularly encourages contributions on and by media creators and scholars from underrepresented groups, and values work informed by intersectional approaches and diverse perspectives. We maintain rigorous intellectual standards while striving to be accessible to a broad readership. Each quarterly issue features substantive scholarship alongside reviews of important recent books in the study of international media.

Please note: NRFTS is oriented toward humanistic, rather than social scientific, perspectives and methodologies.

Journal metrics

Usage

  • 104K annual downloads/views

Citation metrics

  • 0.3 (2023) Impact Factor
  • 0.3 (2023) 5 year IF
  • 0.5 (2023) CiteScore (Scopus)
  • Q2 CiteScore Best Quartile
  • 0.680 (2023) SNIP
  • 0.120 (2023) SJR

Speed/acceptance

  • 51 days avg. from submission to first decision
  • 65 days avg. from acceptance to online publication
  • 20% acceptance rate

Editorial board

Editor:
Matt Connolly
- Minnesota State University, Mankato


Associate Editor:
Max Bledstein
- University College Dublin


Book Reviews Editor:
M. Sellers Johnson
- Independent Scholar


Online Editor:
Geneveive Newman - University of Pittsburg


Editorial Board:

Brian Bergen-Aurand - Bellevue College, USA
Janet Bergstrom - University of California, Los Angeles, USA
Eugenie Brinkema - Massachusetts Institute of Technology, USA
Warren Buckland - Oxford Brookes University, UK
Jinhee Choi - King’s College, UK
Timothy Corrigan - University of Pennsylvania, USA
Thomas Doherty - Brandeis University, USA
Thomas Elsaesser † - University of Amsterdam, The Netherlands
Lucy Fischer - University of Pittsburgh, USA
André Gaudreault - University of Montreal, Canada
Tom Gunning - University of Chicago, USA
Amelie Hastie - Amherst College, USA
Noah Isenberg - The University of Texas at Austin, USA
Kara Keeling - University of Southern California, USA
Monika Mehta - SUNY Binghamton, USA
Daniel Morgan - University of Chicago, USA
Brian Price - University of Toronto, Canada
Timothy Shary - Eastern Florida State College, USA
Salomé Aguilera Skvirsky - University of Chicago, USA
Lynn Spigel - Northwestern University, USA
Kyle Stevens - Appalachian State University, USA
Amy Villarejo - University of California, Los Angeles, USA

Updated 30-07-2024

Abstracting and indexing

Abstracted/indexed in: FIAF International Index to Film Periodicals, Emerging Sources Citation Index, Web of Science, EBSCOhost, Scopus, Ovid FIAF Databases, ProQuest online research databases.

Open access

New Review of Film and Television Studies is a hybrid open access journal that is part of our Open Select publishing program, giving you the option to publish open access. Publishing open access means that your article will be free to access online immediately on publication, increasing the visibility, readership, and impact of your research.

Why choose open access?

  1. Increase the discoverability and readership of your article
  2. Make an impact and reach new readers, not just those with easy access to a research library
  3. Freely share your work with anyone, anywhere
  4. Comply with funding mandates and meet the requirements of your institution, employer or funder
  5. Rigorous peer review for every open access article

Article Publishing Charges (APC)

If you choose to publish open access in this journal you may be asked to pay an Article Publishing Charge (APC). You may be able to publish your article at no cost to yourself or with a reduced APC if your institution or research funder has an open access agreement or membership with Taylor & Francis.

Use our APC finder to calculate your article publishing charge

News, offers and calls for papers

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