About this journal

Aims and scope

Musicology Australia  is the scholarly journal of the Musicological Society of Australia. Since its inception in 1963, the journal has published articles on all aspects of music research, including ethnomusicology and musicology, which marks it out from most other music journals.

Today, articles and reviews cover a broad spectrum of music research, including historical musicology, ethnomusicology, popular music, indigenous music practices, jazz, theory and analysis, organology, performance practice, contemporary music and psychology of music. The journal is published twice a year: in July and December. Contributors are not required to write on Australian music or be Australian-based musicologists.

Articles should normally be 6000-10,000 words (including footnotes and/or references), though shorter and longer articles will be considered. Solicited and unsolicited book reviews (2000 words) and review articles (4000 words) are considered for publication.

Peer review policy
All research articles in this journal have undergone rigorous double anonymized peer review, based on initial editor screening and anonymised refereeing by two anonymous referees.

Journal metrics

Usage

  • 21K annual downloads/views

Citation metrics

  • 0.3 (2023) Impact Factor
  • 0.3 (2023) 5 year IF
  • 0.3 (2023) CiteScore (Scopus)
  • 0.151 (2023) SNIP
  • 0.109 (2023) SJR

Speed/acceptance

  • 6 days avg. from submission to first decision
  • 53% acceptance rate

Editorial board

Editor:
Denis Collins, University of Queensland, Brisbane, Australia
Email: [email protected]

Associate Editor:
Sarah Kirby,   University of Melbourne, Australia

Internal Copy Editor:
Elizabeth Kertesz, University of Melbourne, Australia

Reviews Editor:
Jennie Shaw, University of Adelaide, Australia


Editorial Board:
Catherine Falk University of Melbourne, Australia
Annegret Fauser,   University of North Caroline at Chapel Hill, United States
Michael Hooper,   University of New South Wales, Australia
Tami Gadir,   Royal Melbourne Institute of Technology, Australia
David Larkin,   University of Sydney, Australia
Kerry Murphy,   University of Melbourne, Australia
Kathleen Nelson,  University of Sydney, Australia
Jonathan Paget,  Edith Cowan University, Australia
John Rink,   University of Cambridge, United Kingdom
Katherine Butler Schofield,   King's College London, United Kingdom
Sally Treloyn,   University of Melbourne, Australia
Paul Watt, University of Adelaide, Australia
Francis Yapp, University of Canterbury, New Zealand

Abstracting and indexing

A P A I S: Australian Public Affairs Information Service (Online)
Current Abstracts
International Index to Music Periodicals
The Music Index (Print)
Periodicals Index Online
R I L M Abstracts of Music Literature (Repertoire International de Litterature Musicale)

Open access

Musicology Australia is a hybrid open access journal that is part of our Open Select publishing program, giving you the option to publish open access. Publishing open access means that your article will be free to access online immediately on publication, increasing the visibility, readership, and impact of your research.

Why choose open access?

  1. Increase the discoverability and readership of your article
  2. Make an impact and reach new readers, not just those with easy access to a research library
  3. Freely share your work with anyone, anywhere
  4. Comply with funding mandates and meet the requirements of your institution, employer or funder
  5. Rigorous peer review for every open access article

Article Publishing Charges (APC)

If you choose to publish open access in this journal you may be asked to pay an Article Publishing Charge (APC). You may be able to publish your article at no cost to yourself or with a reduced APC if your institution or research funder has an open access agreement or membership with Taylor & Francis.

Use our APC finder to calculate your article publishing charge

News, offers and calls for papers

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Musicological Society of Australia and our publisher Taylor & Francis make every effort to ensure the accuracy of all the information (the "Content") contained in our publications. However, Musicological Society of Australia and our publisher Taylor & Francis, our agents (including the editor, any member of the editorial team or editorial board, and any guest editors), and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Musicological Society of Australia and our publisher Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Musicological Society of Australia and our publisher Taylor & Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to, or arising out of the use of the Content. Terms & Conditions of access and use can be found at http://www.tandfonline.com/page/terms-and-conditions .

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