Abstract
The corpus of known drawings by Giovanni Battista Caracciolo called Battistello, until now consisting of only a handful,1 has been vastly increased by the discovery of twenty-five unpublished drawings in the National Museum in Stockholm.2 Twenty-three seem to be unquestionably by Caracciolo or his shop; the other two may also be by his hand. Seven of the drawings have been attributed to him previously, most of them in the 1863 inventory;3 the eighteen others, all mounted in a portfolio of the zweiter garniture, apparently have never before been recognized as his.4