Italian Futurism 1909–1944: Reconstructing the Universe; Vivien Greene, ed., Italian Futurism 1909–1944: Reconstructing the Universe

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Notes

1. F. T. Marinetti, “Founding and Manifesto of Futurism,” Poesia 1–2 (February–March 1909): 1–8.

2. For a recent, stimulating discussion of Balla and Depero's Futurist work in decorative and applied arts, see Ara Merjian, “A Future by Design: Giacomo Balla and the Domestication of Transcendence,” Oxford Art Journal 35, no. 2 (2012): 121–46.

3. Umberto Boccioni, Carlo Carrà, Luigi Russolo, Giacomo Balla, and Gino Severini, “Futurist Painting: Technical Manifesto,” in Futurism: An Anthology, ed. Lawrence Rainey, Christine Poggi, and Laura Wittman (New Haven: Yale University Press, 2009), 65.

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Notes on contributors

Anthony White

ANTHONY WHITE is senior lecturer in art history at the University of Melbourne [School of Culture and Communication, Medley Building, University of Melbourne, Victoria 3010, Australia].