Using Visual Art as the Bridge to Our Cultural Heritage: Roy Strassberg's Holocaust Bone Structures Series

Abstract

This body of work, although it has its genesis in specific subject matter, functions as a tension filled bridge between artistic intent and the creative process. This process knows no intent, can not be controlled to any great degree, and has an awesome power of its own. (Strassberg, 1998, p. 1)

Additional information

Notes on contributors

Susannah L. Brown

Susannah L. Brown is Program Coordinator and Assistant Professor of Art Education at Florida Atlantic University. E-mail: [email protected]