Abstract
A mode of audio-visual production called the “video essay” proliferated in the past decade. Noted by a video practice that is artistic, theoretical, and political, the video essay marks a distinct aesthetic strategy, one that I argue is premised on a mode of relationality. According to Ursula Biemann (2003), the video essay as a genre, situates itself between documentary film and video art. Considered too experimental, self-reflexive and subjective for documentary, the video essay stands out within the spectrum of video art as socially involved and political.
Additional information
Notes on contributors
Stephanie Springgay
Stephanie Springgay is Assistant Professor of Art Education and Women's Studies at The Pennsylvania State University, University Park. E-mail: [email protected].