![Sample our Arts journals, sign in here to start your access, latest two volumes FREE to you for 14 days]({"type":"image" , "src" : "/sda/110799/TOC-Subject-Sample-2021-Arts.jpg"})
Abstract
Jody Cutler on Richard J. Powell and Jock Reynolds, To Conserve a Legacy: American Art from Historically Black Colleges and Universities; Juanita M. Holland, ed., Narratives of African American Art and Identity: The David C. Driskell Collection; Adrienne L. Childs, Echoes: The Art of David Driskell; Debra Wacks on Howard Fox, Eleanor Antin; Maurice Berger, Adrian Piper: A Retrospective; John P. Bowles on 2000 Bc: The Bruce Conner Story, Part II; Craig Saper on Dieter Roth: Printed Pressed Bound, 1949–1979; Michèle C. Cone on John Russell, Matisse: Father and Son; John O'Brian, Ruthless Hedonism: The American Reception of Matisse
Additional information
Notes on contributors
Jody B. Cutler
Jody B. Cutler is a doctoral candidate in the Art Department at the State University of New York at Stony Brook. Her dissertation-in-progress is titled “The Paintings of Robert Colescott: Race Matters, Art, and Audience.”
Debra Wacks
Debra Wacks is a doctoral candidate at the Graduate School, City University of New York. She is currently writing her dissertation, entitled “Subversive Humor: The Performance Art of Hannah Wilke, Eleanor Antin, and Adrian Piper.”
John P. Bowles
John P. Bowles, doctoral candidate in art history at the University of California, Los Angeles, recently completed the Whitney Museum of American Art's Independent Study Program, and is writing his dissertation on Adrian Piper's early conceptual and performance work.
Craig Saper
Craig Saper, Director of the New Media Center at the University of the Arts, is the guest editor of the current issue of Style (33.2) on “Interactive Style.” His books include Artificial Mythologies: A Guide to Cultural Invention (1997) and Intimate Bureaucracies: From Visual Poetry to Networked Art (forthcoming).
Michèle C. Cone
Michèle C. Cone, a critic and historian, has written widely on French art and politics in the 1940s. Cambridge University Press is publishing a volume of her collected essays next year. Cone is also on the faculty of the School of Visual Arts in New York.
Daryl Chin
Daryl Chin is Associate Editor of PAJ: A Journal of Performance and Art.