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Quarterly Journal of Speech Volume 70, 1984 - Issue 1
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Original Articles

Affective artistry on the medieval stage

Janette Richardson Chair of the Department of Rhetoric, University of California, Berkeley
Pages 12-22 | Published online: 05 Jun 2009
 
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Abstract

Although the Brome Abraham and Isaac ends with an explicit moral directed to the audience, rhetorical analysis of the play suggests that the final exemplary concept is but one of four levels of response that the dramatist's artistry aims to evoke.

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