This essay uncovers in the classical tradition an underlying paradox that helps to explain contemporary confusions about rhetoric's mimetic status. Aristotle situated rhetoric in a conflicted relationship—between rhetoric as an ethical‐political practice and poetic. The aesthetic possibility of rhetoric is thus liberated and limited by constraints imposed by Aristotle's most perfected poetic form, tragedy.
Quarterly Journal of Speech
Volume 72, 1986 - Issue 1
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