Notes
1 See Immanuel Kant, Critique of Judgment (trans. J.C. Meredith) (Oxford:Oxford University Press, 1911), Part I, section 59.
2 Rabindranath Tagore, ‘What is Art?’, in Personality (London: Macmillan & Co., 1945), p.17.
3 Ibid., p.8.
4 Rabindranath Tagore, ‘Universal Literature’, in Angel of Surplus (ed. Sisir Kumar Ghose) (Calcutta: Visva Bharati, 1978), p.101.
5 Tagore, ‘What is Art?’, p.29.
6 Rabindranath Tagore, ‘The World of Personality’, in Personality (London: Macmillan & Co., 1945), p.69.
7 See Rabindranath Tagore, ‘The Music Maker’, in The Religion of Man (London: George Allen & Unwin Limited, 1958), pp.127–8.
8 Rabindranath Tagore, ‘The Second Birth’, in Personality (London: Macmillan & Co., 1945), pp.83–4.
9 Amiya Chakravarty (ed.), ‘The Religion of an Artist’, A Tagore Reader (New York: Macmillan, 1961), p.234.
10 Ibid., pp.234–5.
11 Gilles Deleuze uses the topology of ‘And’ to bring about the dialectic of ‘difference’ and ‘repetition’ related to the ever-mounting hermeneutic possibilities. The politics and aesthetics of ‘plus’ are intriguingly pertinent here.
12 Tagore, ‘The World of Personality’, p.60.
13 Himangshu Bhushan Mukherjee, Education for Fulness (London: Asia Publishing House, 1962), p.98, italics added.
14 Rabindranath Tagore, ‘An Eastern University’, in Creative Unity (London: Macmillan and Co., 1922), p.190.
15 For more on these post-modern and Derridean understandings see my forthcoming book on Tagore and Education (2012).
16 Tagore, ‘An Eastern University’, p.179.