Abstract
The purpose of this study is to provide normative data for the sound effect sequences of the Braverman-Chevigny Auditory Projective Test. The test was administered to 149 college undergraduates in a group setting, who were asked to compose stories to the seven sound sequences. Stories were coded in terms of tone, outcome, number of characters, theme, and identification of “hero.” The stories were predominantly negative in tone, with outcomes generally neutral or unsuccessful. Interscorer reliabilities were all significant beyond the .001 level.