The Relationship Between Socioeconomic Factors, Wellbeing, and Homosexuality in the Theatrical Profession

Abstract

This article relates to the theory suggesting that there is a prevalence of male homosexuality within the theatrical profession that can be explained through male performers becoming homosexual due to their low socioeconomic position. In a questionnaire-based study, the socioeconomic status (SES) is measured of 121 homosexual performers who considered themselves to have been heterosexual at the time of joining the profession, and results are compared with a control group of 121 heterosexual male performers. The experimental group was chosen in this way due to the suggestion of the hypothesis that the change in sexual orientation occurs after the man begins performing professionally. Results were not significant and little difference was noted in any of the parameters of SES, including annual earnings and home ownership. However, a marginal though insignificant increase in SES was noted in the experimental group of homosexual men. Consequently, existing theories for homosexuality and possible reasons for the high prevalence within the performing profession are discussed; the notions of adult performing and creativity being extensions of childhood gender atypical behavior are considered and possible links between sexual orientation and these traits. Elements of genetic heritability of homosexuality are likewise implicated.

Keywords:

• homosecuality
• theatre
• socioeconomic status (SES)
• operational sex ratio (OSR)

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Correction

Notes

This article was originally published with errors, which have now been corrected in the online version. Please see Correction (http://dx.doi.org/10.1080/00918369.2018.1540800)