Abstract
This paper examines how the work of Frege was known and received in Poland in the period 1910–1935 (with one exception concerning the later work of Suszko). The main thesis is that Frege's reception in Poland was perhaps faster and deeper than in other countries, except England, due to works of Russell and Jourdain. The works of Łukasiewicz, Leśniewski and Czeżowski are described.
Acknowledgements
I would like to express my gratitude to the referees. I would like also to thank Mike Beaney and John Dawson for their valuable remarks.