This paper is a critical application of Kenneth Burke's notions of form and perspectivism. It argues for the potential of a complementary relationship between form and perspectivism in the appeal of rhetorical artifacts. Specifically, the essay claims that form is perspectival; it limits the possibilities for appropriate interpretations within a text. Perspectivism is formal; it cultivates a logic of anticipatory reasoning. This theoretical perspective is applied to Shakespeare's Julius Caesar in the effort to illumine the rhetorical appeal of that work.
Perspectivism and form in drama: A Burkean analysis of Julius Caesar
Reprints and Corporate Permissions
Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?
To request a reprint or corporate permissions for this article, please click on the relevant link below:
Academic Permissions
Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?
Obtain permissions instantly via Rightslink by clicking on the button below:
If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.
Related research
People also read lists articles that other readers of this article have read.
Recommended articles lists articles that we recommend and is powered by our AI driven recommendation engine.
Cited by lists all citing articles based on Crossref citations.
Articles with the Crossref icon will open in a new tab.