Rethinking Modernism and Modernity: A Dance Approach

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Notes

1 Douglas Mao and Rebecca Walkowitz, “The New Modernist Studies,” PMLA 123, no. 3 (2008): 737.

2 Marshall Cohen, “Primitivism, Modernism and Dance Theory,” in What Is Dance?: Readings in Theory and Criticism, ed. Roger Copeland and Marshall Cohen (Oxford: Oxford University Press, 1983), 161–78.

3 Raymond Williams, Keywords: A Vocabulary of Culture and Society, new edition (Oxford: Oxford University Press, 2015), 165.

4 Peter Brooker, Andrzej Gasiorek, Deborah Longman, and Andrew Thacker, eds., The Oxford Handbook of Modernisms (Oxford: Oxford University Press, 2010), 1–16.

Additional information

Notes on contributors

Huafei Chen

HUAFEI CHEN conducts doctoral research in the School of Foreign Languages at Shanghai Jiao Tong University, China. Chen’s interests in scholarship include world literature, comparative literature, and cross-cultural studies. Her publications include “二十世纪西方文学中的女性与酒——以凯瑟琳·安·波特的《愚人船》为例” (Women and Alcohol in Twentieth-Century Western Literature: A Case Study of Katherine Anne Porter’s Ship of Fools), in Journal of China Women’s University (2019), and “论《雾都孤儿》中的食物-权力管控机制与主体性建构” (An Analysis of the Food-Power Mechanism and the Construction of Subjectivity in Oliver Twist), in World Literature Studies (2018). Email: [email protected].