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Witness/Experience

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The Jazz Continuum, By LaTasha Barnes, The Kennedy Center, Eisenhower Theater, Washington, DC, November 17-18, 2023

 

Notes

1 Brenda Dixon-Gottschild, Digging the Africanist Presence in American Performance: Dance and Other Contexts (Westport, Connecticut: Greenwood Press, 1996), 12-18.

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Notes on contributors

Ronya-Lee Anderson

RONYA-LEE ANDERSON of Ronya-Lee and the Light Factory, is an artist/scholar/educator. Her work combines original music, dance, and theater. She is currently on dance faculty at American University and is an Artist in Residence at Dance Place in Washington, DC. Ronya-Lee holds a Master’s of Divinity from Duke University and an MFA in dance from the University of Maryland. She is currently pursuing a doctorate in performance studies. A former member of Chuck Davis’ African American Dance Ensemble and of Liz Lerman’s Dance Exchange, she has numerous live theater credits and has appeared in national commercial and print ads. Ronya-Lee has published articles in the Journal of Dance Education, Sojourners Magazine, the UCC Journal of Worship, and a case study titled “#Burberry and the Utility of Black Femininity” in the textbook Dance in US Popular Culture. The original music of Ronya-Lee and the Light Factory is available on all streaming platforms.

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