Abstract
This paper discusses the diffusion rendering of ink painting and focuses on synthesizing the effects of ink‐refusal and stroke‐trace‐reservation that make the ink paintings remarkable and implicitly beautiful. We derive the diffusion model, which can be used as an ink‐painting rendering approach, from the physical interaction between ink and paper. In this paper, we have successfully developed a method that is able to simulate the artistic effects of ink‐refusal and stroke‐trace‐reservation in ink paintings.
Notes
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