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Abstract
Theatre
Lily Tomlin in The Search for Signs of Intelligent Life in the Universe, written and directed by Jane Wagner, Plymouth Theatre, New York, 1986.
Breaking the Prairie Wolf Code by Lavonne Mueller, directed by Liz Diamond, The Women's Project at American Place Theatre, New York City, November 1985.
The Making of Americans, directed by Anne Bogart, at St. Clements Church, New York City, March 1985.
Feast or Famine, conceived, written and designed by Sondra Segal and Roberta Sklar, directed by Roberta Sklar, filmlphotography Susan Kleckner, sculpture Vera Lightstone, composer Tony Scheitinger, Women's Interart Center, New York City, May 1985.
Dance
Elizabeth Streb at The Kitchen, New York City, April 1985.
Johanna Boyce Dance Theatre Workshop, New York City, April 11–22, 1985.
The Games conceived and directed by Meredith Monk and Ping Chong, Brooklyn Academy of Music, New York City, October 1984.
Margie Gillis, Stephen Foster Memorial Theatre, Pittsburgh, December 1985.
The Seven Deadly Sins, Pina Bausch Tanztheatre Wuppertal, Brooklyn Academy of Music, New York City, October 1985.
Shadow to Frame, by Wendy Morris, Dance Theatre Workshop, New York City, August 1985.
Books
London Interview with Michelene Wandor, by Peggy Gold. © Peggy Gold (all rights reserved)
Contemporary Stage Roles For Women, A Descriptive Catalogue, by Sandra Heys. Connecticut: Greenwood Press, 1985. 195 pp., appendix, bibliography and index.
German Feminism: Readings in Politics and Literature, by Edith Hoshino Altbach, Jeanette Clausen, Dagmar Schultz and Naomi Stephen, eds. Albany, New York: SUNY Press, 1984. 389 pp., bibliographies with some articles and index.
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