Abstract
In this essay I bring fluids into scholarly dialogue with theories of performance, liminality, and femininity to argue for a new, positive cultural understanding of menstruation. Invoking Victor Turner's theory of liminality, I ponder the source of our fear and subsequent control of feminine leaks in a patriarchal world. Operating on three increasingly abstract levels of leakage, I examine how fluids disrupt our socially constructed binaries and reflect on the positive potential of (menstrual) leaks to create a space for alternative, sanguine epistemology and ontology. I aim toward a scholarly view of menstruation as a positive phenomenon worthy not only of exploration, but also of celebration, and argue the need for more fluid scholarship.