Post/modernizing Australian music: Sounding postmodernism: Sampling Australian composers, sound artists and music critics; New classical music: Composing Australia; Experimental music: Audio explorations in Australia: Musicology Australia: Vol 31, No 1

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Abstract

These three rather different studies on Australian music, appearing within a matter of weeks of each other, are a welcome addition to the extant literature.¹

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Notes on contributors

Sally Macarthur

Dr Sally Macarthur is a senior lecturer in musicology at the University of Western Sydney. She is author of Feminist Aesthetics in Music (Greenwood, 2002), and co-editor of Intercultural Music: Creation and Interpretation (Australian Music Centre, 2006) and Musics and Feminisms (Australian Music Centre, 1999). She is currently completing her second book, Composing and Decomposing Women in Music, which offers a feminist- Deleuzian critique of the practices of ‘new’ (classical) music.

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Post/modernizing Australian music

Sounding postmodernism: Sampling Australian composers, sound artists and music critics; New classical music: Composing Australia; Experimental music: Audio explorations in Australia

Notes on contributors

Sally Macarthur

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Post/modernizing Australian music

Sounding postmodernism: Sampling Australian composers, sound artists and music critics; New classical music: Composing Australia; Experimental music: Audio explorations in Australia

Abstract

Additional information

Notes on contributors

Sally Macarthur

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Academic Permissions

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