Abstract
The 1930s represent a contentious period between the radio and newspaper industries. In the middle of the press-radio war, a new technology, the broadcast radio facsimile, emerged with the potential to bring together the warring industries. Although the radio facsimile was short lived, its story, seen through the lens of the press-radio war, provides an interesting look at the forces shaping a new technology.
Envisioned as a technology that would allow subscribers to receive the newspaper via a radio receiver, the facsimile presented an interesting dilemma: Who would control the creation and dissemination of news—the newspaper or radio industry? This article explores this question through an examination of industry narratives about the facsimile. In analyzing the discourses, this study focuses on how the newspaper and radio industries envisioned the future of the facsimile. Was the facsimile viewed as a means for cooperation or as a point of contention?
Funding
Research support was provided by an exploratory research grant from the Hagley Museum and Library and a travel grant from the University of Tennessee at Chattanooga.
Additional information
Funding
Notes on contributors
Charlene Simmons
Charlene Simmons (Ph.D., University of North Carolina at Chapel Hill) is a UC Foundation associate professor in Communication at the University of Tennessee at Chattanooga. Her research interests include media history and new technology.