644
Views
4
CrossRef citations to date
0
Altmetric
Original Articles

Speculative fiction and international law: The Marxism of China Miéville

Pages 25-39 | Published online: 20 Sep 2010
 

Notes

1. See my articles “Towards a Marxist Urban Sublime: Reading China Miéville's King Rat,” Extrapolation, Winter 2003, pp. 395–408; and “To the Perdido Street Station: The Representation of Revolution in China Miéville's Iron Council,” Extrapolation, Summer 2005, pp. 235–248. See also my review of Miéville's Looking for Jake, forthcoming in Foundation: The International Review of Science Fiction.

2. By the time these lines reach print, Between Equal Rights should be available in a much cheaper paperback edition from Haymarket Books in the US and Pluto Press in the UK.

3. In addition to Iron Council (2004), the sequence set in the imaginary world of Bas-Lag includes Perdido Street Station (2000), which begins the trilogy, and The Scar (New York: Ballantine, 2002), which continues it.

4. See China Miéville, Between Equal Rights: A Marxist Theory of International Law (Leiden and Boston: Brill, 2005), p. 9n. Further references to this text will be given parenthetically by page number.

5. Karl Marx, A Contribution to the Critique of Political Economy, trans. S. W. Ryazanskaya (Moscow: Progress Publishers, 1970), pp. 20–21.

6. Karl Marx and Frederick Engels, The German Ideology, trans. W. Lough (New York: International Publishers, 1970), p. 81.

7. Karl Marx, Capital: A Critique of Political Economy, Volume Two, trans. David Fernbach (Harmondsworth: Penguin, 1978), p. 137.

8. Karl Marx, Capital: A Critique of Political Economy, Volume One, trans. Ben Fowkes (Harmondsworth: Penguin, 1976), p. 344.

9. China Miéville, The Scar, pp. 219–220. Further references to this text will be given parenthetically by page number.

10. For a good account of this instance of Miéville's Marxism, see Steve Shaviro, “Capitalist Monsters,” Historical Materialism, Vol. 10, No. 4, 2002, pp. 281–290.

11. This is a theme I have pursued at some length in The Incomplete Projects: Marxism, Modernity, and the Politics of Culture (Middletown, CT: Wesleyan, 2002), especially pp. 3–41.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.